Category Archives: Louisiana Musicians and Music

Emerging Views: Chapter Twelve; Dudley Leblanc and the Sense of Acadiana

The Honorable Dudley J. Leblanc -- Acadian Icon

The Honorable Dudley J. Leblanc — Acadian Icon

 

This is a special chapter among many chapters that are special to me because it focuses on the life, work and views of one man as a context for what was going on in the region when the documentarians  (or documentarists as is often preferred) arrived in Acadiana. Dudley Leblanc is man mentioned many times in the text before now and a great deal is left out even after this chapter is read. In fact he too has his place in the conclusion. In a different world this book would have been written long ago and there would be another book out under my name about Dudley Leblanc alone.  But such is not the case. In fact this serialization is running up against difficulties born of my relative weariness doing other things entirely separate from this book.

The politics of Dudley Leblanc are mostly the focus of this chapter and the personal life with the business aspects only creeping in a bit. The merest glimpses into a full and rich life of great complexity. But politics is very much in the fabric of Acadian and Cajun culture and the tradition of these places that make up Acadiana. Politics has always mattered to me as anyone can tell who reads this blog. I am not in any way the kind of political figure that Dudley Leblanc was in this region but he does sort of fill the atmosphere of all politics with a kind of (to me at least) glory tinted residue.

 

Congratulating Louisiana State Senator Fred Mills on reforming Marijuana law...

Congratulating Louisiana State Senator Fred Mills on reforming Marijuana law…

My grandfather was influenced by and we are related to Dudley Leblanc. I once watched an old home movie of them on a boat together. Warren Perrin pictured with me below has made available to me recently some fascinating materials provided by the heirs  of Corinne Broussard, one of the Evangeline Girls who made the first pilgrimage with Dudley Leblanc to Acadie. His legacy lives on ….

Dudley Leblanc was an author, historian, showman, President of the Association of Louisiana Acadians,  the leader of the lawful opposition to what many consider to be the closest thing to a dictatorship ever under the United States Flag, he was a devout Catholic , a family man and a skilled legislator. He wrote a charted song and besides all of that was a very serious businessman. But he was part of Acadiana and it was part of him in a uniquely strong way that showed through all he did. He loved Louisiana and the United States and worked with Acadians and their causes in several countries but  he was our politician — the great contribution of this place and time to politics . His influence is still around even when it is not noted.  But his French language radio shows, his huge business which disappeared like a fairy dream and his superb devotion to his ethnic community framed his politics and gave them life.

HADACOL was once the second largest advertiser in the United States.

HADACOL was once the second largest advertiser in the United States.

There is a tendency among some to see him as style over substance but nothing could be farther from the truth. In my view only a tiny handful of U.S. politicians have equaled his substance but his substance was not the substance many analysts are looking to find. He left a book behind which is fifty years old this year which along with founding state parks in this state, helping to create an old age pension, negotiating countless positive deals in the opposition and opposing others — along with all of that his book is his legacy. His family is of course as well.

The Acadian Miracle by Dudley Leblanc is fifty years old this year.

The Acadian Miracle by Dudley Leblanc is fifty years old this year.

The Acadian Museum in Erath is a place where a great deal of his legacy is preserved and new materials are still coming to light in their efforts to archive and preserve things. You can link to them here.  The rather poor picture of Warren Perrin and I together  that I have above is taken in the Acadian Museum and below is another I took  related to the Museum. They remain and are active in outreaches across the community that Leblanc loved.

Acadian Museum table at an Abbeville farmer's market.

Acadian Museum table at an Abbeville farmer’s market.

Here is where the text in pdf form will be when a technical glitch is cured :

 

He is the chapter in such text form as is available:

 

Chapter Twelve:

Dudley Leblanc and the Sense of Acadiana

 

This set of chapter in this book is in large part a collection of and commentary upon clipping. My use of scholarly quotes earlier on was more extensive than average and so the change should not be too drastic. I prefer to use enough of my source material to let it speak for itself where it can. This text seeks to bring together many distincto points of view to create a whole which the reader can inhabit much as the mind inhabits a bit of fine verse or fiction. Entering into all these points of view the reader can form his or her own point of view.

 

Early in this chapter, second only to a clipping from 1928 and excerpt from a play there is a brief article from the Abbeville Meridional in the 1930s. It reports on an act of violence perpetrated against a Boudreaux from Abbeville in large part because of his association with Dudley Leblanc. Without understanding the violence that runs through Cajun experience there is no way to understand Cajun experience. Cajuns are a people whatever else that are and they are a small people. It would be interesting to do a book about Cajun courage entirely  — but that is not this book. This writer that I am is also a man. As a man I consider myself a fairly brave man ( and by my own lights that has never been a very wise thing to say in public or in writing for almost anyone) but it is not in doubt that a small group of people who value ethnic identity are by definition at risk perpetually. It does not take all that much reasoning to figure that out. Languedoc with is structure of confederated ethnic communities within a powerful nation state which accepted these diverse communities is a kind of paradise dream for our way of viewing the world. The Confederacy as our ancestors hoped it might be is another. The golden age of the 1840s saw this sort of life more or less achieved under the banner of the stars and stripes. But the bad times have been many and of varying seriousness. Much of politics in this and many other modern societies with which the Cajun has to interact appears to be the wholesale degradation of any real chance of cultural integrity or any real chance of preserving a responsible policy as regards culture. When the Cajun is urged by others to discard the burdens of his or her culture because others are doing so this often  appears to the true Cajun like the suggestion like the serious suggestion that he cut off his fingers because a friend had to change gloves. We will return to that metaphor or strong simile  at the end of this chapter.

 

Before reaching the article about Boudreaux and Leblanc the reader will read a brief excerpt from a play about a Boudreaux and a Leblanc. In the midst of all of this the reader hopefully remembers that a Boudreaux and a Leblanc had the largest Cajun roles as the father and son LaTour in Louisiana Story. Any reader who is not a Cajun  should remember that Dudley Leblanc probably saw America differently that the readers parents or grandparents in ways that were specific to the Cajun experience. But the Cajun experience also varied and Leblanc is a very individual and specific person. This chapter is about Dudley Leblanc and the way that he represented a focus and expression of Cajun identity.

 

This text is not intended to comply with the conventions of a text written about the history of New York City because there is a certain body of knowledge about New York City which is part of the patrimony of educated American ‘s cultural patrimony and which is not applicable to discussion of postwar Acadiana. In addition to the need to make clearer some basic facts about each relevant aspect of Cajun life and Acadiana there is also the cost to this writer which perhaps is made less by being middle aged, divorced and more or less permanently curmudgeonly not to mention childless. As was evident in Gene Yoes review of Louisiana Story in 1949, people worry about the perception of larger society which is created by almost any assessment or expression of the culture, identity or   way of life of the people here. Defensiveness is commonplace enough, so is courage and so is the pressure to produce work without the supports for research and a quality process of authentication which might be available for other subjects. In addition the conditions described above make the producers of plays, films, histories, journalism, songs and other works responsive ot questions and concerns of the ethnic community more sensitive to criticism than they might otherwise be — none of this makes a text of this type easier to write. On the other hand, these are differences of degree. Any book about perceptions and understanding between American communities is fraught with some of the same challenges though perhaps not to the same degree — nonetheless, to a substantial degree.  Dudley Leblanc and his family appear in the social and personal notices sections of the Meridional so many times it is difficult to express without superlatives. That context is worth remembering when we discuss the man as this text does.

 

Below is a piece about his birthday party which appeared in the August 25 issue of 1928.

 

LEBLANC WAS HONORED AT BIRTHDAY DINNER

Dudley J. LeBlanc, who is also head of the T. B. A. Benevolent Association was guest of honor at a surprise birthday dinner given Saturday night at the Terrace Hotel. Over 100 employees, business associates, and other friends of the Commissioner attended. An orchestra played during the evening.

 

Greetings were extended to Commissioner LeBlanc by several speakers, the first being T. L. Evans, president of the Commercial National Bank, Robert Voorhies, manager, and Miss Sadie Folse, secretary of the T. B. A. and V. Gray qf the Dixie National Insurance Association, and Sidney Alpha for the Lafayette Tribune in which Mr LeBlanc is also interested.

 

Near the close of the banquet the honoree was presented with a platinum gold watch as a gift from his employees The presentation was made by Bennett J. Voorhies, local attorney.

Another feature of the occasion was the presentation of a large birthday cake on which were 34 candles. The cake was a gift from Mrs. H. Scranton, proprietor of the Terrace Hotel

Advertiser, Lafayette.

   

Comparing the pictures here and scene of the trappers eating in Louisiana Story to what Dudley Leblanc’s wife Evelyn Hebert Leblanc experienced as dinner with her girlfriends is also useful. It illustrates a set of contexts for the Cajun experience at the time and a set of experiences neither the documentarian backgrounds and presuppositions nor the interests of Standard Oil of New Jersey were eager to see presented to the nation as the Cajun experience at the time of the nascent oil boom.  In that context it is useful to notice that in the list of interests above which feted Dudley Leblanc there are financial, hospitality, professional and print media among others — but no specific petroleum interests. So now on to the life of Mrs. Dudley Leblanc:

 

MRS. ROBERT YOUNG JUNIOR ENTERTAINS 500 NIGHT CLUB

Another delightful, meeting of the 500 night club was held Wednesday night with Mrs. Robert Young, Jr., at hostess. This beautiful home on Main St. was beautifully arranged with vases and bowls of nasturtiums.  Ladies’ first prize was won by Mrs. R. A., Dalton. Second by Mrs. H; A. Eldredge. Guest by Mrs. E. L. Terrier* Gentleman’s first prize was won  by Mr. Clay Summers. Second by Dr.  P. J. Young, Jr., Guest by, Mr. Andrew Broussard, Consolation by Miss Della Broussard and Booby by Mr. I. H. Oertling.

 

Mrs. Young served a 3 delicious plate luncheon consisting of dressing’ sliced turkey, cranberry sauce, mashed potatoes, with sweet peas, stuffed tomatoes, salad on lettuce, olives, hot rolls and tea. Members present were: Mr, and Mrs Clay Summers, Miss Delia Broussard, Mr. Pete, LeBlanc, Mr. and Mrs. Perry LeBlanc, Miss Bess Faulk, Mrs. Dudley LeBlanc, Mrs. Roy Richardson, Dr. and Mrs. H. A. Eldredge, Dr. R. J. Young Jr., Guests present were. Mr. and Mrs. E. L. Terrier, Miss Hilda Hebert, Mr and Mrs. I. H. Oertling, Mrs. Marcus Broussard, Mrs.  Newton LeBlanc,. Miss Mabel Young, and Mr. Andrew Broussard.

 

This house was on the same street where the film Louisiana Story was edited and where the crew lived and the people in story were by and large as  Cajun as Lionel Leblanc or the fictional LaTours. Mr. and Mrs. Clay Summers were my great grandparents. While he was born an anglo-protestant she was a very Cajun French speaking Catholic named Esther Leblanc and was Dudley’s cousin.  The choices made of what to portray are real choices continually made in the creation of an American identity and sense of self.

 

Dudley Leblanc’s connection to the community is glimpsed a bit in the coverage of his wedding in the Meridional.  A lot more could be gleaned from it than will be attempted in this chapter.  The following appeared as a social announcement in the Meridional in 1921 and was a significant sign of social and community recognition for a fairly important match which would be meaningful for Abbeville, Vermilion Parish and the Cajun community. The wedding is certainly not a sumptuous affair to rival the elite of Europe or New York City and the notice does not claim that it is  — but it is not the stuff of a trapper’s cabin either.

 

One of the pretty church weddings of the season was that of Miss Evelyn Hebert, daughter of Mr. and Mrs. Morgan Hebert of this place , to Mr. Dudley LeBlanc, of Erath, on March 29th, at 8 o’clock a. m. at St. Mary Magdelein’s Catholic Church.. The marriage ceremony was performed at mass. The bride was handsomely gowned in white embroidered chiffon with illusion veil, while the maid of honor and bridesmaids wore pink organdy gowns and pink picture hats. Miss Evelyn stands high in this community and has many friends. The happy young couple left on the morning train on their honeymoon trip. On their return they will occupy their own little bungalow on the West side of the Bayou which is just completed. The Meridional wishes them a long life of prosperity.

 

A later announcement in the Meridional’s social notices completes the coverage of this early state of their union. It is worth remembering what is not included in the portrayals of the Cajun communities in the SONJ projects but to remember that these goings on were quite important to the community as a whole..

 

April 19, 1921, Mr. and Mrs. Dudley Leblanc returned from their honeymoon * trip to New Orleans, Sunday.

 

It is useful to remember which Cajuns were not much included in the SONJ projects to represent these people in either the photographic collection or the film Louisiana Story. Dudley Leblanc lived a very different life overall than the one lived by the natural actor Lionel Leblanc. LaTour and the actor who portrayed him were clearly selections with political, economic and moral dimensions made by the Flahertys and by Standard Oil of New Jersey which led to a particular view of the people and region portrayed in Louisiana Story. The influence of Harnett Kane’s book The Bayous of Louisiana is deeply to be felt in so many SONJ choices. The use of Avery Island is certainly suggested by Kan’s appealing treatment of that locale. Kane also reports on living with a trapper family and in doing so really maps out a rough draft for Louisiana Story even in the happenstantial way that this unrelated segment of his book is near the segment on Avery Island. The discourse of real outsiders continues to inform itself primarily and to primarily seek to avoid being informed by the Cajun community as a whole. The effort to communicate Cajun experience to the mainstream society is not so simple a task for those within the community either.

 

However, much this text  may seem to be a web of the author’s close personal associations it is actually more the case that the reader gets only a minimal sense of all the connections between this writer and his subject. A choice has been made to make such connections but not without also many specific choices to limit such references.  

 

The following is an excerpt from the play A Sort of Miracle in Loreauville, published by Edgemoor Press, of Houston Texas. The playwright was a returning undergraduate  who had gone from Abbeville to Louisiana State University as an undergraduate where she had become pregnant for a son, hid the pregnancy and dropped out. She had given that son up for adoption, moved to Abbeville and married and old friend, nearly an early puppy love and a son of a prominent local family. They had a child in 1964 and did not have any others for a long time. When that young son began attending school she returned to the University of Southwestern Louisiana and wrote a play for an English class which was published.  She did not graduate at that time but graduated after her son who was in first grade in 1973 graduated many years later. She is still very much alive at this writing and she is my mother.

 

The play is set in 1900s Loreauville where her own grandmother grew up, 1900s Loreauville provided the setting, motifs and characters about which her grandmother  — Regina Oubre Hollier composed a series of paintings some of which were awarded various honors, sold and given other recognition at the time of her writing A Sort of Miracle. This conversation takes place as a priest is preparing the sacrament of the sick, also the last rites (in an irreducible tension) for a very sick little girl, Madame Leblanc is the girl’s mother.

 

MADAME LEBLANC: Pere Boudreaux, he’s a good man of God, him. So holy. You should have heard how strong he prayed for MArie. It was so beautiful… (serenely) they say that when the blessing is given, sometimes they have a miracle.  

 

  1. DUBOIS: Prayer is very good for the soul, and I’m sure the good Lord has some plans for us all, but miracles seem to be getting scarcer all the time. Science is teaching us more about things that used to be explained in other ways.

 

MADAME LEBLANC: I don’t know nothing about science. I only know the Lord. He hears everybody’s prayer and he always answers. Sometimes he answer “no” because he knows everything what’s best. Maybe if He takes Marie up to Heaven, it means  that she couldn’t never have been happy here.

 

  1. DUBOIS: Maybe so.

 

The play is about the 1900 and is also very much about becoming an adult in the late 1960s and early 1970s. There is not on the surface much to connect it with the period of 1943 to 1953 nor with the life of Dudley Leblanc outside of names and ethnicities but in fact there are some connections that are worth making.

   

 

State Highway Man Pardoned In Attack On Jos. Boudreaux

BATON ROUGE, La.—Louis A. Jones, assistant superintendent of the’ Louisiana Highway patrol, convicted of assaulting Joseph Boudreaux of Abbeville, La., on the capitol steps ‘during the 1932 ‘legislature, was pardoned by Gov. 0. K. Allen last Friday.

The pardon was approved on recommendation, of the state pardon board. Jones had previously been reprieved by the governor before serving any of a six months jail sentence imposed*by Judge Caruth Jones in East Baton Rouge district court.

Boudreaux –,. friend and supporter of Dudley J. Leblanc opponent of the political’ organization of Huey P. Long in the 1932 governorship campaign in which he ran against Allen — suffered a fractured skull when he was slugged in front of the Statehouse. Boudreaux said he was struck from behind while being put out of the capitol by two men. He blamed political animosity.

 

The article above  appeared in the Abbeville Meridional on November 17 of 1934. Everyone knows what a highwayman is — an outlaw and a land pirate. The headline is fairly confrontational while the  legitimacy of the corrupt government itself is not directly challenged.  The truth is that Louisiana politics in general is now and always has been a pretty rough business. But most people agree that Huey Long was the toughest character to deal with in Louisiana politics since the period of Statehood.  His use of violence, corruption and intimidation were underreported.  Huey Long was one of his most visible and vocal opponents. The British Empire, the Union armies and a variety of other large opponents are part of the heritage of  opponents which Cajuns remember their ancestors opposing. Cajuns did not dream up and do not dream up reasons to be defensive. But neither is there any overly simplistic basis for all feelings of ethnic concern.  Earlier in this text I put forward a brief allusion to evidence (which I believe to be substantial) that the ku Klux Klan was at the very least influenced by Cajun institutions and associations at it inception and in its early days. However, that does not mean that the Klan was not seen as a threat by the Cajuns of the Dudley Leblanc era along with many other threats. The following is an excerpt shortened mostly because of places where the text was problematic for physical reasons rather than for content. During the time when Dudley leblanc was directly facing other issues the Meridional which covered him faithfully was also reporting on the matters related to the Klan in the region. Very little of the topic appeared in the Meridional compared to other matters which were related to ongoing  conflict but the discussion that does appear is worth noting..

 

A STALE TOPIC

For a long time the Ku Klux Klan question has practically been ignored by the leading local papers of the state, but the recent statements of  R I. Thompson, at a Klan initiation near Baton Rouge, has partially revived the discussion. ….Thompson reasserted the ancient fallacies of the hooded order “The Klan does not believe in religious prejudices …. but the Klan is a fraternal structure it has no negro members ‘ The Klan is a Christian order therefore no Jews are admitted ” “The Klan is an American order. Therefore no Catholics could be admitted, because the Catholics owe allegiance to a foreign power, and therefore are not American in the Klan’s understanding of the word ” Wise qualification–“Klan’s understanding ” Of course if that is the honest “understanding” of the Klansmen it is their American privilege to so understand. We are ready to excuse the ignorant member of the order, who follows the lead of unscrupulous stump speakers, but how a man of Thompson’s supposed intelligence can voice such idiotic statements is one of the mysteries we are unable to solve. By the above statement as well as several others Mr Thompson qualifies for a special niche in the Menckenian category of “dull and dangerous asses.” We are very sorry to have to touch on this disagreeable subject again but we pride ourselves on letting it down easy…

 

It is not easy to write this text from the position which I take as a fifty one year old man who has done a good bit of living but it has proven impossible to complete it earlier. I think it would not only be dishonest but pointless for me to attempt to write this text as though it  seemed likely that was going to witness a golden age of Cajun wellbeing, or that I thought things in America were really going very well or that I believed that all in all the world was making excellent progress in all the most important ways.  So it is that I do not see the end of struggle for ethnic identity and the preservation and perfection of a sense of community as being a process that will be likely to end either. The question of American identity posed by the Klan is not one which this text has sought to avoid although it has not centered on what constitutes the nature of Roman Catholicism. I started with the clipping about the birthday party in part because it allows a chance to see that whatever struggle may typify much of Cajun experience in the United States it is not an entirely strident and directly confrontational struggle. Cajuns do not live lives in which ethnic interests and mainstream interests are always pitted against one another, It is not a community that alway seeks to see  things in stark confrontational terms even when it  would be possible to see things that way. Below is an example of one struggle handled by Dudley Leblanc and reported by the Meridional. There was an article introducing and explaining the context of his open letter but only the letter is reproduced below because it gives a voice to Dudley Leblanc in a manner which is one of the objectives of this Chapter.

.
LOUISIANA PUBLIC SERVICE COMMISSION

Sept. 12th, 1929.

Abbeville Meridional, Abbeville, La;

Gentlemen,’ You will probably be interested in knowing that I have had the train schedule restored. The schedule was changed without consent or approval of the Commission and  it has been; a pleasure for me to be of some assistance to the good people of Abbeville. There will be a formal hearing in the near future, probably at Abbeville, where both sides of the question can be heard before a member of the Commission and the case will then be decided as to whether the schedule will be changed or left as it is now.

With kind regards and best wishes, I remain,

Very truly yours,

Dudley J. Leblanc

 

In all of his political career Leblanc was fully engaged in real struggles for a better quality of life for his community and these struggles were not couched in terms of ethnic confrontation most of the time.

 

But the Cajuns are and always have been devoted to the American experience and identity even during the long spell between about 1875 and 1940 when most Cajuns only called themselves Americans in a legal or very formal and explicit context. Nonetheless, in all those years there was an effort to merge effectively with each era of American institutions. But the Cajun vision of America did not always resemble the mainstream vision very closely: Nonetheless, in understanding a man like Dudley Leblanc it is useful to understand this desire to  succeed as a true American and to see Cajuns succeed as true Americans. This second glimpse from the Meridional shows that aspect of Leblanc and of Cajun life as well. It does so in a subtle and not very flag-waving kind of way.

 

DUDLEY LEBLANC NAMED. ON LAFAYETTE BOARD

Lafayette, La.—Announcement of the election of 12 directors of the reorganized Lafayette Chamber of Commerce was made at a meeting last Thursday night at the courthouse. The board, which will meet soon to name officers, is composed of E. E. Soulier, Mike Donlon, J. J. Davidson, Jr., Dudley J. LeBlanc, T. M. Callahan, A. F. Boustany, Dr. L. O. Clark, E- E. McMillan, Donald Labbe, A. M. Bujard, Felix H. Mouton, and J. L. Fletcher.

The Chamber of Commerce in Lafayette at that time and in any part of the united States at any time is an institution devoted to the relatively optimistic pursuit of commerce, development and well being in the context of  the commercially viable and economically vibrant United States of America. Dudley Leblanc who was not less an ethnic activist than many other form better known communities, was also a member of the Chamber of Commerce and accepted most of its values and vision for America.

 

Acadiana had never been isolated in the sense that a handful of places are. Rather it had always been a place of commerce, change and  migration since the time the first Cajuns began to emerge as such. In this text one of the challenges has been to try to show an ethnic community which is in continuous change within a larger American social and cultural context. Dudley J. Leblanc was a voice for the region and also for the Cajun people. It is important to understand the totality of his involvement in the issues of his time and the life of the state and the region.  The questions of whether he lived in better  times or worse for the Cajuns and for this region cannot be answered fully here. But to the degree that this text sees him as an influence over the SONJ Projects and over the region that they came to document  he must be properly understood or nothing much is gained by way of understanding in  referring to his influence.  In earlier chapters the work of Leblanc as regard Cajun identity  has been the only focus of discussion in this regard and some brief applications of that aspect of his life and work to the film Louisiana Story. But a great deal more remains to be discussed if he is to be at all understood.

 

One fact worth remembering is that Dudley Leblanc had a large set of connections across the nation and the globe. Merely to catalogue these would take a great while. But his core constituents were kept abreast of many of his contacts through the local press. For every two Cajun associations with a specific quality he had two that were about some other aspect of what he saw as the real American fabric of life.  

 

TBA Celebrates Thirteenth Anniversary

Celebrating the thirteenth anniversary of the TBA  American Benefit Association, a number of persons were guests of Dudley J. Leblanc at a delightful party at the Edgewater Club near Lafayette.  Formerly known as the TBA Benevolent Association, and operating mostly in Louisiana, the TBA American Benefit Association has enlarged its scope until now it operates in practically every state in the United States. The main offices are located in Lafayette. President Leblanc of this association is a native of Vermilion Parish and a resident of Abbeville.

 

As Dudley Leblanc’s life progressed his political career became one of his most distinguishing endeavors. It would grow apace with his business ventures. Space will not allow me to reproduce the more colorful and perhaps pandering advertisements announcing some other candidates efforts to be elected to various posts but the announcements by Leblanc like much of his life were characterized by a simple and straightforward manner.  

 

I hereby announce myself as a ‘candidate.’for the House of Representatives from the Parish of Vermilion subject to the Democratic primary of 1924. Your vote and support is respectfully solicited. Dudley J. Leblanc

 

I hereby, announce myself as a candidate for the House of Representatives from the Parish of Vermilion subject to the Democratic primary of 1924. Your vote and support is respectfully solicited. Dudley J. LeBlanc

 

Dudley Leblanc did not take long to become involved in controversy as a representative in the state legislature.  His Leblanc Warehousing Bill was an effort to attack a host of ills and was much supported and much opposed and fully controverted and the storm of controversy seems to have not made any dent in the resolutions of this very new political figure.
Cliipings were passed around the local papers more in those days and a great deal of recopying of letters, editorials and press releases occurred in relation to all this. Rice millers organized to oppose his bill and the efforts with it to increase the rights and security of farmers. “We are in receipt of a communication from Mr. H I. Gueydan, of Crowley, also forwarded to Mr LeBlanc, vigorously protesting against the Warehouse Bill introduced by Mr. Le Blanc in the present session of the State Legislature. The clipping from The Acadian …. we  it are reproducing m this issue,” A sort of semi editorial in the Meridional would begin that way. At another point  the Meridional would report:  “This is the letter of Mr. Gueydan to the Meridional, and Mr. LeBlanc in regard to the bill. Personally we know very Iittle about the matter….” The local press seemed overall to have started off fairly certain that  Dudley Leblanc would fail to sustain his solidarity with the Rice farmers in the face of the organized opposition he met.  The fact that other states were using similar provisions did not persuade opponents that his concepts would prevail. Probably some of them were motivated and formed in their thoughts by hatred and contempt for Cajuns who predominated among rice farmers but the language was tempered and a name that was at least somewhat local and French was usually attached to opposition propaganda. An example of a letter printed in those days is excerpted here:  “Mr. LeBlanc points out that certain similar laws have been in existence in various other states for a number of years where what is pursued in this bill has proved advantageous to the farmers. Questions have arisen as to the the similarity of those laws with the bill presented by Mr. LeBlanc and also to the amount of good they have accomplished. .We are convinced, however that the State should operate with as few commissions os possible… .we are fast drifting into a condition amounting to government by commission. There is the possibility of a commission of this sort becoming so well ‘set’ as to work a vast amount of harm, and. bid defiance to those who would seek to dislodge it. And if the farmer ultimately pays the bill for this warehouse service will his condition be bettered to any perceptible degree? …  As Mr. LeBlanc has so ably pointed out, our present system is beset with many evils, at a minimum: Farmers at times suffer rank injustice in the disposal or their rice, but is it true that the bill proposed would remedy all this—or would it make matters worse?  All we can do is to hope and pray that the right will prevail. We are sure of one thing and that Is that Mr. LeBlanc has the interest of the farmer at heart, that it is his honest belief that this bill will work to their benefit. I am convinced that this Bill would work farther expenses on the rice farmer, and would be a Godsend to rice graders.  Mr. Dudley LeBlanc would hurt the very ones he wishes to benefit. … There is a fair amount of the most offensive forms of condescension in the tone of this letter. But Leblanc would not in this or any other significant instance be pushed aside by people who perhaps held him in low regard at least partly because of his ethnicity

 

The Meridional reported some of the efforts to oppose Leblanc. Politics were fierce even when they were not corrupt and violent:

 

VIGOROUS PROTEST IS RAISED BY LOCAL RICE MEN OVER LEBLANC BILL

Local  Warehousemen  United in Meeting. to Kill the Bill; Other Crowley men joined Mr. H. L. Gueydan today in the vigorous fight against the warehousing bill introduced by .Representative Dudley J. LeBlanc  of Vermilion Parish, creating a new commission and  requiring every public rice warehouse to furnish a public rice grader at a salary of not under $150.00 and which would force each warehouse to pay a  license fee of $10 annually for every two feet of floor space, payable in advance and also other objectionable requirements of the LeBlanc Warehouse Bill.

 

Dudley LeBlanc responded articulately in my opinion and his struggle is real but not excessively confrontational in tone or manner: Elsewhere his words appear as follows

“It s not my intent to hope for radical change  nor is it my intention to have the Legislature enact laws that  will prove detrimental to some of our business interests.  I would certainly prefer not to make any enemies, but I fail to understand how men who are supposed to be interested in the rice industry can conscientiously say- that such a measure would hurt the rice farmers “In some of the country papers in the rice district, there is now some opposition but this opposition comes from the mouthpieces of corporate interests. Some have seen fit to criticize the minor details of this measure and have •endeavored to make it appear that it would work against the interest of the rice farmer Every Insignificant detail can be worked out satisfactorilv to me. provided, of course, that the principle of the Bill is left intact and that the measure carries with it a degree of relief to our poor oppressed rice producers “It is estimated, as a matter, of explanation, that the total amount of money to be expended bv a rice producer would be five cents a sack of 200 pounds in order to obtain this rice. There is no additional expense entailed — neither on the Parish nor on the State and neither the warehouseman nor the rice mill would he called upon to put out any money since this five cents per sack would cover the entire expense. Every intelligent person realizes that due to the fact that many of our farmers are uneducated, They are not in a position to market their product’ intelligently. This Bill provides the proper assistance and enables the farmer to market his product in a similar position with the grain grower in other grain growing states.”.

 

Over various issues of several local papers Leblanc made his case and explained what the Bill did and did not required. Here are some of his words: “It requires every warehouse to be licensed and bonded and to furnish a public fee grade for a length of time after it is stored in said warehouse. It  requires the warehouseman to issue a reliable receipt showing the exact  grade or quality of his rice with the percentage of each grade or quality to the farmer storing his rice on each trip to the rice grader — appointed by the created Commission will by this new measure  enable the farmer  to know exactly the grade and quality of his products and with this knowledge, he will be in a better position to sell his rice. This will eliminate the possibilities of the big man  using undue influence and will help the regular fellow.  In the event that the farmer wants to obtain a little loan on the crop to deal with corresponding expenses and does not want to sell it at  that particular time, a receipt can serve as security for the stated amount of sale to get a loan through any bank…..”

 

The fact is that whether in helping to create the State Park system, build his business or interact with Robert Flaherty as with his opposition to Huey Long Dudley Leblanc was a deeply devoted ethnic Cajun. He however used the term Acadian almost exclusively. We will return to other aspects of his life before reaching the end of this text and have already discussed him before but it is important to know what he meant to the Abbeville in which the SONJ  folks centered their work in Acadiana. He described his early service as a State Representative: “During my campaign for member of the House of Representatives I made certain political pledges to my people which I have endeavored to faithfully keep; My people are to a certain extent very much oppressed. The Parish of Vermilion is an agricultural parish and the farmers have expected this administration to give them some relief. I have endeavored to the best of my ability to enact laws and which would carry to the aggrieved  farmers some degree …

 

Dudley and Evelyn were building all aspects of the Cajun ideal of leadership and that meant  growing a family in March 14, 1925 a birth announcement for their son appeared in the Meridional. Nine years later the little boy is in the papers again for a festive occurrence called the

“Queen of Hearts” at Mount Carmel Elementary School where  Dudley J. Leblanc Junior received a second prize reported in the Meridional. February 17, 1934… He also played golf with neighbors of all ethnicities among whites and in at least one tournament the honorable Dudley J. Leblanc, who on the course was just “Dudley”, took second honors.

 

These are mere glimpses into the life of Dudley Leblanc. The influence he had in the region had not declined substantially by the mid 1940s. He had never successfully organized the trappers around himself across South Louisiana and  by the time Harnett Kane’s book came out they had lost several struggles especially in the southeastern section of the State. Flaherty and Standard Oil could possibly see them benefiting from the coming of the oil industry. But Dudley Leblanc’s rice farmers would benefit far more often than the trappers as more of them had more land in most cases.
While the last chapter was the lion’s share of the reportage on the film Louisiana Story this chapter is a tiny sampling the reportage on the story told by Dudley Leblanc for and about the people of his part of Louisiana especially. It was Harnett Kane and not Dudley Leblanc whom the documentarians were predisposed to pay attention to in covering the Cajuns. Dudley Leblanc had established himself as a voice for the Cajuns in all the ways described in earlier chapter and in countless ways vaguely suggested in this chapter. But it was not his voice that those who had the privilege of informing mainstream America were likely to seek out. Kane was a better man and a better writer than many, but the reliance on his text to the exclusion of Dudley Leblanc’s  point of view is inexcusable. Only Flaherty really absorbs some of it and barely gets some credit here for that.  The business of American understanding has its own shame and corrupt  inner processes even as it has been known for exposing corruption and insider dealing elsewhere in American society.  Leblanc could have contributed a lot more to the discussion in the FSA documentary period and in the SONJ period. To evaluate documentaries and reporting I think an historian must consider what they leave out and under represent as well as what they do shot, write, publish and exhibit…

Emerging Views: Chapter Eleven The Movie at the Dixie as it Was

This posting of this chapter raises a few issues for me. Not the least of these issues is that Chapters Thirteen and Fourteen are still not ready to be posted and chapter fourteen will be ready before Chapter Thirteen. So my little serialization system is about to experience some more strain than it already has. Secondly it is time to post a few more bits of accompanying information for those who are not  reading this right now but may in one of the unpredictable future upswings in readership which this blog occasionally enjoys. Below is a map to more or less remind or inform people of what the Acaidana region is.

 

More or less what Acadian means to those who do not know...

More or less what Acadiana means to those who do not know…

But this post brings up more than this  map relates to — at least directly. Here below is one of my grandmother’s pictures of a period before the film premiere and painted long after the film premiere. But it does address issues of cultural relevance and give a little more context to the discussion.

 

My great grandmother painted glimpses of Cajun life -- this is one of those.

My great grandmother painted glimpses of Cajun life — this is one of those.

So we come to a chapter that shows how the local community responded to the premiere of Louisiana Story. I hope that it is informative and entertaining to at least some reader and a bit more to an even smaller set of people.

This is a glimpse of how the black and white film was presented to the world. The local papers ran black and white promotional and reporting spreads.

This is a glimpse of how the black and white film was presented to the world. The local papers ran black and white promotional and reporting spreads.

 

Here is a pdf version of the text: EmergingViewsChapterElevenTheMovieattheDixieasitWas (1)

Here is the text itself:

Chapter Eleven:

The Movie at the Dixie as it Was

 

The previous chapter tried to see the premiere of Louisiana Story in the context of history and in the relevance it has to our own times. In doing so a few liberties were taken with the normal conventions for an historical narrative. There was no premiere at the Frank’s. The premiere was held at the Dixie which in time became the Frank’s Theater. It was not held in 1948 which is the official date of release but early in 1949. The two chapters are meant to illustrate also the problems with what I call folkloristic evidence. There is no doubt that people not old enough to be there who do have a memory — in the folklorisitic sense — of the film remember it being at the Frank’s in 1948. There are some who have better data and some worse. But such memories are not rendered entirely worthless. The building known as the Frank’s today is indeed the spot and 1948 is the place to find the film on most lists arranged by year.   This chapter seeks to look at the premiere of the film as it was viewed and understood at the time, also to provide a kind of plain and straightforward narrative history of the film as it was perceived although not in great detail nor exhaustively. It does not seek to apologize for the fact that it has been perceived through an evolving lens. It only seeks to balance that view with one more restricted to the known responses of people to the film at the time. It especially looks at the response of local journalists and the interviews they did with local people whose own words about the film have not appeared much in this text so far. This work of history is obviously more personal than most works of academic history and the people and places make up a framework of the writer’s life. In addition, the time and delays involved in the production of the text give it a certain quality of intimacy that may not be ideal but cannot be avoided. My own experience with the Abbeville Meridional newspaper is very extensive — I have been featured in it, read it and been employed by it on far too many occasions to discuss here. That is for the reader to bear in mind.  Clearly, I think that a great deal of academic objectivity is brought to all the varied sources relied upon by this text and to the questions raised in pursuing its arguments and narrative. But the reader will have to evaluate that for him or herself.

 

The masthead under which the coverage appeared was different than than of today but similar and familiar as well. Today’s masthead states that the paper is “The Voice of Vermilion Parish, The Most Cajun Place on Earth”. In those days it merely said: “ABBEVILLE MERIDIONALOLDEST CONTINUOUS BUSINESS IN VERMILION PARISH ABBEVILLE, LOUISIANA, SATURDAY, FEBRUARY 19, 1949 LEADING NEWSPAPER OF VERMILION PARISH SINOE 1856 NO; 8 “

   

There were two articles on the front page in that issue but deeper inside was an extravagant full page pictorial spread that told readers it would be at the Dixie Theater from the next day, Sunday, February 20, 1949 to the following Thursday. The newspaper also had a regular advertisement for its films which showed too mainstream films playing as a double feature on Friday and Saturday which were its biggest money making days. That same advertisement did however give the “Southern Premiere” of Louisiana Story bigger billing than either of the other two films. But in addition to being extravagant for such a spread in this particular paper it has the following telling lines on the side among others:|

Showing In The South A GEM! Abbeville has been chosen as the “Premiere City for this great film, LOUISIANA STORY, because it was filmed here and stars Vermilion Parish people. It’s- film is the everyday story your friends and your relatives.

 

The pictorial spread shows review snippets from the New York Times, Life Magazine and other sources. The celebration of the film as everyday life is very telling. It is not clear if the writer of those lines had seen the film but it has some significance in any case. It was a Saturday issue and in Louisiana to be classified as a daily one need only publish five papers a week. That is what the Meridional has done for a while including at the time of this writing. Today there is no Saturday or Monday issue but in those days the Saturday issue came out regularly and this was one of those issues. There were at least two articles about the film on the first page and may have been a mention elsewhere that has escaped my research.

The first and more background oriented article begins; with a montage of photographs described as follows:

Filmed entirely in the marshes of Vermilion, Iberia and Lafayette parishes, “Louisiana Story” has as its stars Joseph Boudreaux of Cameron parish and Lionel LeBlanc of Abbeville. Scenes reproduced from the picture show Mr. LeBlanc, above, looking into the sky, Joseph talking with Frank Hardy, an oil worker, left, and fondling his pet raccoon, top left.

This little detail is significant because photo essays are expensive and time-consuming  for small community papers and this would not be the last to be placed in the paper related to this film. This article goes on:

Louisiana Story’s Lionel LeBlanc — Abbeville’s own movie star, came to our office Tuesday, sat down in our chair and told us how much he enjoyed making “Louisiana Story”. “It’s too bad we didn’t meet 20 years ago,” he quoted Producer-Director Robert Flaherty as telling him, “because we could have done great things together.” LeBlanc, who is now 65 years old and .’almost* past the times when he could spend days and days bogging through the marsh country, says that, despite his age, he didn’t find the filming of the story, too rigorous a job “Times have changed since I first went into the marshes. Then it ‘was work to kill an alligator, but now my four sons, all of whom are trappers, can drive their boats with ‘motor paddles’ right up to where the ‘gator is,” the Louisiana Story actor remembers. “Then all they have to do is shoot him and drag him into the boat.”

 

The personal tone is typical perhaps of Southern rural newspapers and even small American newspapers but it is especially true of the Cajun rural community press.  The story about how much harder life was when he was young than it is for the pampered trappers of the modern era is also an old Cajun tradition which resonates no doubt among cowboys, loggers and lobstermen of other American rural ethnicities. The article continues to let the reader get to know more about this man lifted to the movie screens which Cajuns generally liked and admired.

 

LeBlanc killed his last alligator 10 years ago. He now handles E. A. Mcllhenny’s trapping ranch • and has been doing that work for 20 years. It was through Mr. Mcllhenny that Mr. LeBlanc was discovered by the film producer. He reports that Mr. Flaherty asked the fur ranch owner where he could find a man who knew the marshes and who looked like and was a fur trapper,  Abbeville’s star, whose home is on Maude Avenue, remembers one bad experience during the filming of the movie.

 

In the days of the film Abbeville had racial segregation of housing. Today Maude Avenue is made up of some white families, some Vietnamese families and is largely an African- American (with the distinct cultural mix that still exists to a fading degree among African Americans in Acadiana) middle class neighborhood. In those days it was a neighborhood of the prosperous white working class. Nothing fancy but a good place to live from which a daughter or son might contend for a place in what economically based social strata existed in the parish not as an equal but above a few other neighborhoods in a town which did note such things.  After this implied bit of social introduction and orientation as to who Lionel Leblanc is in the community, the Meridional gives a brief passage a chance to relate the worlds of trapping and movie-making as they coexist in this new moment of history. Here it is worth repeating the last half of the last sentence.

 

… Abbeville’s star, whose home is on Maude Avenue, remembers one bad experience during the filming of the movie.

He and a crew of others went out into the marshes on a “marsh buggy” which bogged down. LeBlanc and the crew had to walk several miles to get out of the swamp. Mr. LeBlanc smiles as he remembers that the producer, who is about 65, wanted to make the trip with them. With his knowledge of the danger in the swamp and the weaknesses of all man-made attempts to tame the swamps, he adds that “Mr. Flaherty might not have gotten out because you have to know how to ‘walk the marshes’ “.

 

Walking the marshes is no joke. Harnett T. Kane has a passage in his influential book in these projects about walking what I was raised to call Flotant  and there so many risks they literally could fill a chapter very neatly.  The marshes and swamps are beautiful and abundant but they offer more risks than a stranger can usually even properly imagine. Flaherty of course was no ordinary stranger but a man who had put new lands into the world’s maps.  Yet the trapper, who clearly liked Flaherty just fine knows the man was not ready for that environment in the time of preparation allowed in a shooting schedule. Trappers walk the marsh — almost nobody else does. Native Americans rarely did and more as proof of manliness under grave risk than as a livelihood. Hunters, fishermen, ranchers and oilmen may boast of having done so a few times now and then and they do so usually with a lot of bravado in the telling. But for the true trapper it is a matter of daily life and daily bread. The Meridional knows that many of the parish’s young people of greater advantages would in many cases dream of being movie stars and they have catered to such interests in varied ways over decades. Therefore, they explore what the unlikely local hero of the glamorous industry has to say about life on film.

 

When asked if he intended continuing in the movies, Mr. LeBlanc said, an emphatic “no”. He says that he will continue to trap however, in this, however, he also is a bit discouraged. “Trapping isn’t as good now as it was. This season I have seen many go into the marshes and come out with their expenses on their backs.” But, at 65, he has the right to ‘hibernate’ at his home on Maude Avenue, and bask in his glory. There aren’t many who can become full-fledged movie stars after spending 64 years in the marshes of Louisiana.

 

There is a whole fabric of social cues in this brief article which cannot be spelled out without making too much of them but which the reader may be able to speculate upon after reading this text. The next article on the front page serves as an interesting framework and foundation for better understanding an earlier chapter about “Cajun Works”. Remember that the film industry has become rooted in this small place of small enterprises and the newspaper coverage shows that this work was begun as people took every advantage they could of the possible opportunities to make the moviemakers feel connected and welcome in this place. The next article is about the premiere itself.  It is reproduced in full below as it appeared.

 

Throngs Are Expected For Southern Premiere

 

The first premiere in the history of Abbeville will be held Sunday when “Louisiana Story,” a film depicting the encroachment of modern industry over trie fur trapper in his native marshes, opens here. State officials, representatives from nearby towns, stars of the film, representatives of the state press and a contingent from Life magazine

 

Robert Flaherty, producer and director, with his staff, will arrive by plane Friday and will remain through Sunday. Invitations have been extended to Governor Earl K. Long, the directors of various state departments, Mayor Delesseps Morrison, the mayors of Lafayette, New Iberia, and Crowley and to others. The film, which has been awarded several prizes for its excellence, was produced by Robert Flaherty under a grant from a major oil company. The veteran producer spent 14 months making it and maintained his headquarters at the Mettles home in Abbeville.

 

He picked the stars from the surrounding territory, Lionel LeBlanc, who lives on Maude avenue and is employed by E. A. Mcllhenny, was selected to play the part of the father in the film. Joseph Boudreaux, a native of Cameron parish, was cast in the roll of the son. It is around him and his experiences with the members of the oil company crew that is the basis for the story. But the film is more than the story of the boy and the oil country —it is the story of the adventure and the intrigue of bayou swamps, the marshes. The film was shot in the natural surrounding and depicts the marshes as they are. The ‘characters in the film are real, too. They are the trappers who have lived for generations on the bayous and have learned their ways of trapping the muskrat and mink from their fathers and grandfathers. Even the oil company men are taken from real life, many of  them being brought Abbeville from the different locations at which they are now working. Joseph Boudreaux, Lionel Le Blanc, Mrs. Evelyn Bienvenu, and Frank Hardy are coming for the premiere. The Chamber of Commerce and Civic organisations, along with the Abbeville Women’s Club, are planning to entertain Mr. Flaherty and the out-of-town visitors.. ,

 

The occasion is clearly anticipated as a major event in the small town. It is also true that not everyone is presumed to have been very closely following the production of the film prior to that point. Had the film been well covered in the Meridional prior to this front page coverage? The local paper certainly gives some indication of how the film crew were received.

 

Flaherty had received favorable press in the newspaper back in the 1930’s for Elephant Boy made in India and the admiring reviewer also lauded the earlier Man of Aran  when he praised this film. All of this preceded his coming to Abbeville or having any plans to do so for that matter. On Saturday July 12, 1947 the following piece appeared in the Meridional as reproduced below:

 

Film Production Unit Shoot 250,000 Feet Near Abbeville

Shooting schedules of “Louisiana Boy”,  a feature motion picture with a southwestern Louisiana background, were completed this week and the company of Robert Flaherty Productions from New York’ were preparing to head north again to complete technical finishing afj the 250,-000 feet of film made here. Flaherty, discoverer of Sabu; the Indian youngster who rose to stardom in “Elephant Boy” and other films, stated that he had spent approximately three months looking for a native Acadian’ boy to use as a star in the production, finally finding J. C. Boudreaux of Cameron, Louisiana on a lucky hunch by Mrs. Flaherty. Other native characters were found to fill supporting roles. Including Lionel. LeBlanc of Abbeville, well known trapper and fisherman of Vermilion Parish, where most of the scenes were laid. The film depicts the life of a ‘youngster of the Louisiana , marshes, and the change brought when the barge derricks of “oil survey crews begin to probe into the remote fastnesses of the swamp. The film shows many scenes of the lonely grandeur of the marshlands, and records the sounds of its amphibious Wildlife. Flaherty said that title ‘Louisiana Boy” was purely a working title, and that the film would probably appear under another name when released sometime in November 1947.

 

There may have been a bit more coverage of the filming process but not so very much more. The film was not as big of an event as the premiere. Some films had been made in part in the region but a film premiere was unheard of and  was received with a very warm welcome. The Saturday, February  26, 1949 running mostly in ENglish had a full page pictorial coverage of the premiere. It ran under the banner:

SATURDAY FEBRUARY 26, 1949 THE ABBEVILLE MERIDIONAL as usual and then in French  Vien ici ~~ mon Petit Salo-pri . The words loosely indicate that a call had come out to display Acadian heritage and that the people had responded. The chief manifestation was the much photographed buggy parade. The central brief article in this pictorial was  as is reproduced below:

They ‘hooked ole Dobbin to the shay’ last week and came to Abbeville to stage the now famous “Buggy Parade*’ to the Dixie Theater for the Southern Premiere of the movie “Louisiana Story.” Mr. and Mrs. Ulysse Hebert came in from Maurice in their buggy to lead the parade. They followed behind Police Officer Howard Guidry and Happy Flats the hillbilly singer, and a member of his band. Representatives from Life Magazine, from Time Magazine, from Harper’s Brothers Publishing company, and many local photographers started taking pictures and they couldn’t stop. When the buggies were unloaded and the crowd had filed into the theater, there had been more pictures taken in Abbeville than in any other one day in History. Uncle Nick Broussard of Erath, who traveled “many a mile in a buggy, arrived just in time to join the parade as it was going into it’s last lap. Co-chairmen of the parade were Corbette LeBlanc and Ernest Trahan of Maurice.

The future Buggy parades of Church Point may have owed something to this precedent and the totality of the event was clearly in the realm that has earned Cajuns a reputation for exuberant celebration among many Americans. However, to a Cajun there are other aspects to this story than mere exhilaration and the coming together in this way seems suitable to the event.  Nonetheless, it was clearly a big event that would long be remembered in the town.

 

What could be gleaned from the local press about the way the film itself was remembered and appreciated as a final complete work viewed and remembered? Here again it is useful to work through the limited text that exists in its complete totality. The March 5. 1949 article incorrectly names Frances Parkinson Keyes as Evelyn and has a few other problems typical of the overworked and understaffed quality of small papers. For while big city papers may have more pressure they also have more resources and so careless errors are ferreted out that a local rural writer carries into eternity on every piece even when they are not added in by other careless errors. The errors are as much the result of cares in many cases as they are of carelessness.

 

 

LOUISIANA STORY—A REVIEW Premiere Film Uses New Technique To Tell Story Of State Marshes

By Gene Yoes, Jr.

“Louisiana Story”, the great documentary film about the marshes ‘ of Louisiana and of Vermilion parish has come and gone. Behind it, it leaves some who did not appreciate the picture But the vast majority of those who saw the stirring film acclaim it as magnificent “Louisiana Story” is the recital of ‘ the life of an Acadian fur trapper’s  son—told through the all-seeing eyes of a camera It is a true to life story, a story that is happening every day in the marshes at our back door It shows the fur trapper’s son, played by young Boudreaux, as a child of nature almost untouched by the synthetic mechanized world we live in.

 

But, as the story develops, we see this child’s playground, the marshes, invaded by an oil exploration crew. We see the ordinary calm of his life, at first, disturbed, later altered, by the man-made machinery.’ Then, the oil company leaves. Left behind is a child who feels empty because of its departure!, but a child who very easily slips back into his normal, everyday way of life. Two of the most magnificent sequences in the film were presented without the use of words—a technique that is new, and many times as powerful as the shopworn phrases of Hollywood. After the oil well had “blown out” with dangerous underground gas and. water, the crew was waiting! for orders to move to another location The child, in his desire to keep his newly found friends from leaving, poured the contents of his evil-spirit-chasing-salt into the well to remove the “hex” that was causing the well to “blow out”. This dramatically demonstrated the change in the child, his acceptance  of this new mode of life. In the other sequence, the child was fondling his new rifle that his father had bought in the city. His pet raccoon, which he thought had been devoured by the alligator, returned. The child dropped his new rifle, and went to his coon. “Told” without the use of dialogue, this sequence powerfully shows the child as he rejects the mechanized world, the artificial world created by machinery, and returns to his native environment, to his native way of living. Some have said that the film gives a “bad impression” of this area of Louisiana, that it presents this area as a large swamp. But, we think that they may have missed the point of the story. At the beginning of the film, it is implicitly stated that the movie was made in one particular locale, Bayou Petit Anse.

 

It is true that the people of the Northern part of the United States may believe that all of Louisiana is a swamp. “Louisiana Story” will not change their opinion—no amount of films or stories can change them. But, after seeing this film, we are sure that the occupant of a penthouse on the richest ground in New York would gladly exchange his property for the property of John La-tour or any property in the marshes of Louisiana that are capable of spouting black, liquid gold. Robert Flaherty’s product was not an ordinary film—it was not’ made with the flourish that is typical of Hollywood films. For its locale, the producer picked the area around Bayou Petite Anse in Vermilion parish. For its star, Flaherty picked native Acadians—Lionel LeBlanc of Abbeville, Joseph Carl Boudreaux of Little Pecan Island.

 

The cost of the film was less than one-fourth that of a Hollywood production—but the film has been acclaimed as great by the New York Times, New York Post, New York Mirror, Harper’s Magazine, the Brooklyn Eagle, the New York Herald-Tribune, Life and Star. And the comments of many of those who saw the film here—Miss Evelyn Parkinson Keyes, (noted author), W. B. Cotten, Jr., (Baton Rouge), F. A. Godchaux, Sr., Mr. and Mrs. W. B. MacMillan, Mr. and Mrs. Matt Vernon (Daily Iberian), President and Mrs. Joel Fletcher of Southwestem Louisiana Institute, and many others echoed those reviews.

 

Boudreaux’s family had moved for Cameron to Little Pecan Island while he was making the film. He used the thousands of dollars he earned to buy the family a set of propane powered appliances.  Later he would continue to hunt alligators but would not be in films other than Louisiana Story; The Reverse Angle as himself.  Beyond that, one who has read up to this point should not need much explanation to follow this review. An opinion can be formed of how Southern, Cajun and rural American identity are interrelated in the minds of various people.

 

One of the questions in a book like this is whether a book mostly without presidents, armies and stacks of dead bodies deserves really to be an academic history at all. For this book aspires to a serious record of this film and these photographs and the people about whom they were made. But the fact of the lives of the actors does raise a question, if history is to really cover such apparently ordinary lives can it be history in the same way that a history of commanders in World War II is American history? The trivial details set in the Battle for Gettysburg are one thing, but should history take cognizance of the trivial details of daily life? That is the question which led me to show in earlier chapters all the ways I believe Cajun significance has been unfairly diminished in our history. If they deserve (or we deserve) real historical recognition then it will consist largely of ordinary people and events being described in stories of special significance. Not every story can be significant history and have those words mean much. But where the significant stories are Cajun the ordinary will usually predominate as a mode of experience.

 

The ordinary is a trait of Cajun and Acadian culture more than of most places. There is an extraordinary ordinariness about life among these people in some ways. Even those to whom they are very exotic note this as well. In that ordinary life things that are real and useful are seldom wasted. The premiere had much to offer the people of the region in terms of support for memory and recollection. A March 12, 1949 issue of the Meridional had this something still to say. It is reproduced in full on the following page

 

BUGGY PARADE’ FILM HAS FIRST SHOWING

On Monday night at the home of Mr. and Mrs. Lionel LeBIanc, a film of the “Boggy Parade” was presented by Charles Nunes. The movie was made during the pre-premiere festivities of the “Louisiana Story” which had its Southern premiere here three weeks ago. Lionel leBlanc, a native of Abbeville, played one of the leading roles in the movie. He was chosen to play in the film because of his knowledge of the Southeast marshes. The “Buggy Parade” movie was made by Mr. Nunes from the sidewalk awning of the Audrey Hotel and from in front of the Dixie theater where “Louisiana 8tory” was shown. Attending the showing were Mr. Nunez, Mr. and Mrs. LeBIanc, Mr. and Mrs. Minos LeBIanc, Mr. and Mrs. .Gene-Yoes, as well as several children.

 

       

We will return before the last words of the conclusion to other written responses to this film among the Cajun people and the people of Abbeville. But in this brief chapter the bulk of the Meridional’s published response to the events related to the entire series of events related to the SONJ cinematic invasion has been reproduced. The photographs are not here and add a great deal. The struggle of different Americans to correctly perceive and understand one another is illustrated in these relatively few words. Not the only local paper to discuss these events the Meridional still deserves a chapter of its own. They give us the record not necessarily of the premiere at the Dixie as it was in any absolute sense as perhaps this chapter title might suggest — but at least how the film’s premiere was perceived in town and in the Parish as a whole at the time.

 

In segregating this particular source here I both show respect and a kind of mistrust. Community journalism has very real limits and shortcomings. I choose to expose the reader to this voice after having said some other things. Likewise differences in my perspective and those in these articles are more clearly and I  think fairly illustrated when the words are joined into a single compelling voice for whatever perspective the local newspaper represents.

 

Emerging Views: Chapter Eight: Louisiana in the Story

In each of these posts I include a few words before the post itself. But the words are few and the posts have not included any images that were not part of the chapters. But today there are many reasons why in my daily life in May of 2016. I am thinking of American perceptions of Louisiana and of the Cajuns and of Acadiana. All of those are different things. I think of how challenging it would be to teach High School history to people from Louisiana and as a Louisianan knowing the standardized test reward distortions of the truth. I think that is more so for Cajuns than others in the state.

I am happy to reflect on Zachary Richard receiving the Louisiana Endowment for the Humanities this year. That is some part of embracing the truth — but it is a little and a little late for me and for many others.

Zachary Richard Acadian humanist rightly honored

Zachary Richard Acadian humanist rightly honored

I also attended the Acadiana Press Club Forum  Yesterday at the Daily Advertiser and was well aware of how much good work is done by many in community organizations, environmental groups, the media, the DOTD and elsewhere across our to improve the quality of our infrastructure and to have an infrastructure that is responsive to environmental and cultural realities.

Toby Takes Charge: DOTD set out state of I-49 Connector plans

Toby Takes Charge: DOTD set out state of I-49 Connector plans

Nonetheless, a lot of sad realities in running the I-49 Connector through the Evangeline Throughway were evident to the people assembled. One has the real sense of a society that is out of touch with this place and its needs and potential. That was the case in the period treated in this text as well. One could see in the meeting that the people of this region remain a treasure even when one has become as down in the mouth about the state of things as I have.

Young but experienced reporter from Abbeville was on the job...  Not sure who she is with these days, I have known her since she was an infant...

Young but experienced reporter from Abbeville was on the job…
Not sure who she is with these days, I have known her since she was an infant…

So the struggle for Louisiana’s past, present and future continues since the days described in this text to the present day.  Here is a pdf version of the text: ChapterEightTheLouisianaintheStory

Here is the text itself:

 

Chapter Eight:

The Louisiana in the Story

 

The Confederacy had long ago faded into obscurity as the main focus of attention in American politics in 1943. The fact that a Cajun had led the Louisiana Secession Committee when only a few states had seceded was not on that any students of American history as a whole could be expected to know. However, Cajuns participated in being part of the rural South which was subject to perceptions rooted in their defeat in the Civil War and was also affected by conditions largely created in that war. The South was made out as backward by influential men  like H.L. Mencken and the Cajuns were a more remote and backward part than usual of the rural South. Not everything in that point of view is wrong. Nonetheless,  this is not fair or entirely true. This chapter seeks (not in all ways that could be shown but in a few ways that can be shown here) to show that the range of significance of Cajuns in American life has been deeply askew and is profoundly unsatisfactory. This chapter does not do much directly to rehabilitate Louisiana as a whole as being worthy of more study and teaching. The reason is that in general  this text is devoted to Acadiana and not Louisiana. There will be the odd spillover but this chapter is mostly to show that the Cajuns deserved and deserve serious attention in the way America sees itself.

 

Writing this text as a Cajun myself and as someone of English descent and many  other identities produces no simple single point of view. Points of view change over time and the points of view which are espoused by the most numerous and most influential portion of historians also changes. A reminder of that is present in Parkman’s massive tome. This example of changing points of view also happens to be relevant to our understanding of the Cajuns and how they came to be who they are and were in 1943.

 

Hence it happened that the English were for a
time almost as anxious to keep the Acadians in
Acadia as they were forty years later to get them out
of it; nor had the Acadians themselves any inclina-
tion to leave their homes. But the French authori-
ties needed them at Isle Royale, and made every
effort to draw them thither. By the fourteenth article
of the Treaty of Utrecht such of them as might
choose to leave Acadia were free to do so within the
space of a year, carrying with them their personal
effects; while a letter of Queen Anne, addressed to
Nicholson, then governor of Acadia, permitted the
emigrants to sell their lands and houses.

The missionary F^lix Pain had reported, as we
have seen, that they were, in general, disposed to
remain where they were; on which Costebelle, who
now commanded at Louisbourg, sent two officers. La
Ronde Denys and Pensens, with instructions to set
the priests at work to persuade their flocks to move.^
La Ronde Denys and his colleague repaired to
Annapolis, where they promised the inhabitants
vessels for their removal, provisions for a year, and
freedom from all taxation for ten years. Then, hav-
ing been well prepared in advance, the heads of
families were formed in a circle, and in presence of
the English governor, the two French officers, and
the priests Justinien, Bonaventure, and Gaulin, they
all signed, chiefly with crosses, a paper to the effect
that they would live and die subjects of the King of
France.* A few embarked at once for Isle Royale
in the vessel “Marie- Joseph,” and the rest were to
follow within the year.

 

The exiled Acadians had dealings with the Duke of Nivernais as was shown in the cite from Dudley Leblanc’s book The Acadian Miracle and its attendant source. He was the means of the rescue of those held in Liverpool while he was also negotiating the Treaty of Paris. Thomas Jefferson: Who would preside over the United States as the Louisiana Purchase was negotiated knew the Duke of Nivernais. He was appointed Ambassador to France on March 10, 1785; Presented his credentials to the French Court and was accepted republican credentials and all on: May 17, 1785. The termination of the mission was  September 26, 1789. The Duke of Nivernais meanwhile did not stay forever in England. He did leave London, where he had freed the Liverpool Acadians and negotiated the Treaty of Paris (10 February 1763). From 1787 to 1789 he was a member of the Council of State and dealt with Ambassadors such as Thomas Jefferson. Nivernais was not unsympathetic to Lafayette, Washington and even the more radical Jefferson as is evident from the fact that in time this Duke  chose not to emigrate during the Revolution. He paid for these principles with a great deal of personal loss including the loss of almost  all his money and his liberty too when  he was imprisoned in 1793. While happy endings are few in the Great Upheaval, the Duke of Nivernais at least escaped the guillotine and regained his liberty after the fall of Robespierre. His role and future had he lived longer are not entirely clear but it is clear that he was free and poor when he  died in Paris on 25 February 1798.

 

Thus there is at most one degree of separation between the most influential leader of the intellectual struggle for American independence and the Acadians.  The irrefutable fact is that he knew Nivernais before the Louisiana Purchase.  The question of whether he knew much before authoring the Declaration is one we will touch on just briefly in this text. It is well known that  Thomas Jefferson was a Francophile. It is known that he took a broad interest in all sorts of people and that among the peoples of the world he most often took a superior interest in Americans on the East Coast of North America, the British, the French and the Hellenes. It might do to include the Romans as well. But the Acadians were the people who most embodied the quality of being French, Americans and part of the British Empire. If he knew them a bit better he might have known that they also embodied some qualities of the Hellenes. He was a man who stayed informed about affairs of his time. Yet our history is written and taught as though he had no awareness of the Acadians. There would seem to be a possibility that he had some sympathy for what had happened to a people who had been scattered throughout the thirteen colonies and whose homes and lives, liberties and pursuits of happiness had been so horribly and almost utterly abrogated. One could examine two passages of the Declaration with that in mind especially.

 

He has endeavoured to prevent the population of these States; for that purpose obstructing the Laws for Naturalization of Foreigners; refusing to pass others to encourage their migrations hither, and raising the conditions of new Appropriations of Lands.

 

For abolishing the free System of English Laws in a neighbouring Province, establishing therein an Arbitrary government, and enlarging its Boundaries so as to render it at once an example and fit instrument for introducing the same absolute rule into these Colonies:

 

The first of the two passages cited above is of special significance when one considers what his words were later as President when the Acadians were living in Louisiana and he was the President of the United States of America. The Treaty of the Louisiana Purchase is very specific about the naturalization of the same foreigners he might have been writing about  as well as their fellow citizens in Louisiana. Read the words carefully to see what they have to say about Franco-American relations and empathies which were specifically relevant to the people becoming the Cajuns.

 

Art: III

The inhabitants of the ceded territory shall be incorporated in the Union of the United States and admitted as soon as possible according to the principles of the federal Constitution to the enjoyment of all these rights, advantages and immunities of citizens of the United States, and in the meantime they shall be maintained and protected in the free enjoyment of their liberty, property and the Religion which they profess.

It also stand to be stated here that the Louisiana Purchase was an incredibly important event in American history. The transformation of the country by that single act from a coastal to a truly continental power has such vast effects that they can scarcely be overstated in considering anything that follows in the story of the Union. The Cajuns were at the very least living in the  lands of the Louisiana Purchase.

 

The Acadian struggle is in fact extremely important in one respect.  If the British wronged the Acadians it was a colossal wrong and if the Americans operated in sympathy with them that act of sympathy offsets much of what was less than morally perfect in the Revolution and the War of Independence. The British always from the first moment had an enormous set of incentives to distort and alter the record of events to minimize the importance of the Acadian expulsion in shaping the climate of the times in which they lost much of their American Empire. They have always been devoted to marshalling the intellectual resources behind their military and political maneuverings and interests. They have been extremely successful in doing so. The undermining of the American sense of moral entitlement among revolutionary historians has often been rather extreme. There are exceptions of course but the exceptions only show how clear the trend has been.

 

To remain anything like the country the Founders hoped for the truth about the Acadians needed to become part of our national history and it never has been. I know that there is very little exploration of how the Acadians might play a role in that period because there is no evidence in most historical inquiries and surveys related to the period. The French call the War of 1812 the Second War of American Independence more often than not.  That has been resisted by Americans but mostly in service to the interest of the Court of St. James.

 

The Acadian or Cajun role in that war and antecedents and subsequent events related to it has quite a bit of relevance to their relationship with the State of Louisiana for which the film Louisiana Story is named and  in which Harnett Kane wrote the book which most of any single publish source likely formed the perspectives specific to South Louisiana and the Cajuns as they formed their agenda and created their artistic reportage on the region and the people in the postwar era.  

 

If the Acadians were an autonomous people with a chief recognized in France from at least 800 A.D. and if the British consistently failed to recognize a status that was clearly legally theirs then the Cajuns were entitled to take extraordinary member in their own right against the British. Once they had been dispossessed, had families divided in a manner unusual even among the most despised people of the world and lost about half of the population of their province to the brutalities of exile — once all that had happened there was virtually nothing they could have done which in the view of many would amount to anything worth reckoning at all in the balance if it could harm the British Empire and its principals.  Perhaps one thing they did in that struggle was to influence the Americans in their revolution and War of Independence.

 

Perhaps they rejoiced as much as almost anyone when the words of the Declaration appeared which removed from their tormentors a piece of land larger than Acadie (although it would take a war won largely with French help to win it).   Read those fairly familiar words from the eyes of those who had lost so very much.

We, therefore, the Representatives of the united States of America, in General Congress, Assembled, appealing to the Supreme Judge of the world for the rectitude of our intentions, do, in the Name, and by Authority of the good People of these Colonies, solemnly publish and declare, That these United Colonies are, and of Right ought to be Free and Independent States; that they are Absolved from all Allegiance to the British Crown, and that all political connection between them and the State of Great Britain, is and ought to be totally dissolved; and that as Free and Independent States, they have full Power to levy War, conclude Peace, contract Alliances, establish Commerce, and to do all other Acts and Things which Independent States may of right do. And for the support of this Declaration, with a firm reliance on the protection of divine Providence, we mutually pledge to each other our Lives, our Fortunes and our sacred Honor.

 

The other thing which they may have done falls across the line of history into the realm of folklore once again. Perhaps they took the arguably very small act of setting up a relationship with Jean Lafitte and the Baratarian Association specifically to provide for the defense of their interests in the region and of their own lives and liberties from the depredations of the British.  The person who would have been most in charge of this activity would have been Gils Robin. The memories of this period persist across Acadiana.

 

There is a Jean Louis Robin Canal and a Jean Louis Robin Lake to this day in South Eastern Louisiana. In the aftermath of hurricane Katrina  journalist Ken Wells did a book published in 2008 about the family still building their own boats and navigating the waters of that region. Today they are only partly Cajun culturally and genealogically  and have become part of another cultural fabric beside the homes of their Cajun ancestors. But in his book they remember the ties between the outlying Cajuns of that region  the pirates and privateers of the Barataria Association. Folkloristically, the story would be more or less that the brothers Gils, Martin and Jean Robin would have moved to the region shortly after the Acadians had settled in the Lafourche region relatively nearby. Their small community would have ties to  Attakakpas and Oppelousas Prairies of  Louisiana in the West as well as with Lafourche. Martin Robin who was a godfather to one of the Lafitte children was the grandchild of one of these brothers. Jean Lafitte also had a number of titles he sometimes used that are capable of being given Cajun interpretation unique to it Helllenic Centre Ouest Languedoc vernacular.  But the words have other possible explanations. In addition to the role Lafitte played in the Battle of New Orleans which was crucial in terms of artillery and supply and guides to the waters of the area Cajun units also fought in the area. Future Governor Henry Schuyler Thibodaux was a Lieutenant who saw action there. In addition Cajun or Acadian units served in several parts of the encounter. The service record was perhaps mixed in that battle but while some Acadians may have been farmed out to the other units and deployed some real expertise in throwing up defenses along the wetlands it does seem to be likely that the plurality of Acadians served on the ill-fated West Bank line under David Morgan.  Morgan had put his troops in a more or less indefensible position to support Patterson, the artillerist not from Lafitte’s group. The bad position was exacerbated by the Kentucky riflemen in the unit who were sick exhausted and without Lafitte and others from Louisiana would have been unarmed for all practical purposes. At the moment of the attack all witness blamed the break in the line on the lack of courage not of the Cajuns but the troops from Kentucky. However, a court of inquiry found them also without fault because the position was so ill conceived and because the overall glory of the event was enough to overshadow the failures. Nonetheless men  very likely to biased in favor of the Kentuckians over the men from South Louisiana thought they broke first.  

 

The most fierce fighters on the American side on that day may well have been the Free Blacks. I did write earlier that no North American Colored officers existed before the Confederates of the Louisiana Native Guard. However, anyone who knows the battle well will remember Major Savary and Lieutenant Listeau were officers of color who fought in the battle. However, it seems very likely that their commissions like many titles of the era were carried over from other service. They held commissions as Spanish troops in Santo Domingo and the US recognized those commissions. This was intended to be temporary. Dominique Youx the Lafitte artillerist who played the most significant role of direct fighting by any Baratarian is of uncertain  (certainly not Cajun) ancestry and became a respectable citizen of Louisiana when others went to galveston for  the chance to continue a disreputable way of life.  He likely had some colored ranking people in his unit but they were not formally commissioned, that leaves Listeau and Savary as exceptions to my statement about the Louisiana Native Guard. The Spanish had a few knowingly and  officially commissioned colored officers in the Caribbean but not in their North American forces. Nonetheless, the victory at New Orleans was the greatest in American history at that time by many measures and Cajuns were there.

 

The First Battle of Baton Rouge taking West Florida for Spain and weakening the British position against the infant USA was a small but significant battle.  The Cajuns were there. A Cajun General led the action that mattered the most in last major Confederate victory. They had always been citizens with a secure treaty footing since Louisiana entered the union.   Yet the perceptions that abounded in 1943 and still abound today had them as less than a footnote to most of American history and a footnote or two to some of it.

 

An earlier chapter has already discussed Cajun alienation. The next chapter will deal with Cajun backwardness and poverty to the degree and extent that it did exist in  as honest and direct terms as can be captured in a chapter of a text like this. J.C. Boudreaux’s selection for Louisiana story is mentioned and discussed at some length by Richard Leacock in his correspondence with his wife Happy. He mentions they chose Boudreaux in part because he was dark enough to meet their ideal of a Cajun boy. They also liked his version of the Cajun accent. Physical morphology is very relevant to Cajun identity. In fact there is a sense of a vision of beauty and so forth specific to the ethnicity. But within that context there are many types and the fact is they chose a darker and curlier Cajun than many. Boudreaux’s looks are plenty Cajun but so are some family’s whose faces show a lot of intermarriage with the Norsemen of medieval Normandy.

 

The point of all this is not really pillory American historians, the British, the documentarians are anyone else. However, it is too show that in my opinion the Cajuns had already been pushed aside, their role in America stolen from them by one force or another and all of this determined what the documentarians would see when they came to postwar Acadiana          

 

In the study of history there has been a long and in fact continuous struggle over the proper viewpoint  for the historical discipline itself.  Herodotus set forth his motivations and objectives in writing his history and that has been the custom of many historians since that time. It can be argued that it has been an unimportant part of the process to define and redefine this sense of the scholar’s objectives and values since the start of the historical tradition. When this is done it is traditionally done in the introduction and not in the eighth chapter. That tradition also goes back to the very early days of history as a kind of profession or avocation.  

 

THE FIRST BOOK OF THE HISTORIES, CALLED CLIO

This is the Showing forth of the Inquiry of Herodotus of Halicarnassos, to the end that neither the deeds of men may be forgotten by lapse of time, nor the works great and marvellous, which have been produced some by Hellenes and some by Barbarians, may lose their renown; and especially that the causes may be remembered for which these waged war with one another.

 

In understanding the history of these documentaries and of postwar Acadiana it is interesting to try to understand their own historical understanding and objectives. It is not possible to fully address this subject without addressing the sense that the documentarians had about Cajun history and what that understanding they had could, should and would mean for the subjects about which this text is written. What is most obvious is that they did not schedule a formal interview with Dudley Leblanc who had published The True Story of the Acadians. They almost certainly did not completely read the text as a group and if some read it or scanned it that was not much reported. Really any sane person knowing most of the facts of their operation would have to take this lack of contact with Dudley Leblanc as very significant. However, when the only historical method employed is to write about what is reported in diaries and letters then one does not inquire into what is omitted and why The history of  the documentarians in the 1930s and into new incarnation under Standard Oil in the 1940s  has often been written without this reverse angle which independently examines the sources which  they were examining. Here the reverse angle is the principal one. The story of the documentarians is secondary in this text to the story of the Cajuns. But it is an important secondary story which is told from a more critical point of view because of the responsible and relatively complete treatment of their subjects in this endeavor.

 

The Cajuns were of course subject to the same limits of time and resources available to be devoted to the education of the documentarians as anyone else they chose to document. The average inhabitant of the region had no knowledge of their work at all. The documentarians of the era were, as we have already seen, influenced very significantly by the book by Harnett Kane published in 1943. The relationship with Kane and his perceptions were a more favorable than fair representation of the views of Cajuns which had come to characterize the view of the relationship between Cajuns and the State of Louisiana. it also shows a good bit of the view of Cajuns within the State of Louisiana.  

   

 

The name of the film is not Cajun although it was released again under that name. The name of the film is Louisiana Story. The original screenplay was called The Christmas Tree. That references the oil industry which was paying for the production but the final product is named after the state. So in this chapter we want to discuss the idea of Cajuns and Acadiana as recorded over the 1943 period and what the period indicated as to the underlying relationship between the people  and culture they recorded. This has been addressed briefly in the other chapters but will be addressed more carefully here.

 

There is an observed principle in politics that is formulated by some unknown wag as as “if you are not at the table then you are on the table”. in the recording and teaching of American history Cajuns have not been at the table. In addition there was no lack of reasons for them to be misrepresented. The problems were not new in 1943 and have not disappeared since then. Because this book aspires to set out a more comprehensive view of the efforts of various Americans to understand one another than is usually attempted it demands a review of the historical context at many points and this chapter is one of those points.

 

What is clear about this process of waiting a history is that it remains a humanist far more than a scientific undertaking.  Science has yet to be subjected in my opinion to the fullest and highest form of criticism. It needs and deserves to be evaluated in terms of its general assumptions and the assumptions of specific people and institutions among others criteria. However, in the humanities one expects the writer and scholar to know  the work in a field, to tell the truth about the fact covered and to do some work which adds to the reliable record. Not very many serious people pretend that the context of the times, the needs of society and the grand mentality of the scholar do not affect the final work.

 

In reaching for the  Louisiana context discussed here there are quite a few things to consider. The chapter which in many ways forms the center of this book focuses mostly on the SONJ photographers and the images they recorded. This is in large part a function of the way that an archive of underutilized images can tell a great deal about a place and a people and how other places and people recorded in the great SONJ project could by inference be more fully evaluated using other images from the collection. The other chapters tend to pay more attention to Louisiana Story and that is in large part because Louisiana Story  and that is not only because the film forms a single and very substantial work to evaluate.  It is because of that surely. But it is also because there is a very definite intended audience and viewership use which forms a sort of fixed point by which and through which the film can be evaluated for the purpose of this film.

The truth is that there was a great deal of the identity of Louisiana which was not favorable to the state as a whole in terms of how it was perceived in America. But the perceptions shared by all were unduly unfavorable to the Cajuns by almost any standard.  The perceptions were largely reinforced by the work done by the documentarians and the legacy of holding down the Cajuns while offering them something in return was continued more than anything else by these visitors from New England. That is not the whole story but it is the story of this chapter.  

 

************* Appendix to the Chapter********************

 

TREATY BETWEEN THE UNITED STATES OF AMERICA AND THE FRENCH REPUBLIC

The President of the United States of America and the First Consul of the French Republic in the name of the French People desiring to remove all Source of misunderstanding relative to objects of discussion mentioned in the Second and fifth articles of the Convention of the 8th Vendémiaire an 9 (30 September 1800) relative to the rights claimed by the United States in virtue of the Treaty concluded at Madrid the 27 of October 1795, between His Catholic Majesty & the Said United States, & willing to Strengthen the union and friendship which at the time of the Said Convention was happily reestablished between the two nations have respectively named their Plenipotentiaries to wit The President of the United States, by and with the advice and consent of the Senate of the Said States; Robert R. Livingston Minister Plenipotentiary of the United States and James Monroe Minister Plenipotentiary and Envoy extraordinary of the Said States near the Government of the French Republic; And the First Consul in the name of the French people, Citizen Francis Barbé Marbois Minister of the public treasury who after having respectively exchanged their full powers have agreed to the following Articles.

Article I

Whereas by the Article the third of the Treaty concluded at St Ildefonso the 9th Vendémiaire an 9 (1st October) 1800 between the First Consul of the French Republic and his Catholic Majesty it was agreed as follows.

“His Catholic Majesty promises and engages on his part to cede to the French Republic six months after the full and entire execution of the conditions and Stipulations herein relative to his Royal Highness the Duke of Parma, the Colony or Province of Louisiana with the Same extent that it now has in the hand of Spain, & that it had when France possessed it; and Such as it Should be after the Treaties subsequently entered into between Spain and other States.”

And whereas in pursuance of the Treaty and particularly of the third article the French Republic has an incontestible title to the domain and to the possession of the said Territory–The First Consul of the French Republic desiring to give to the United States a strong proof of his friendship doth hereby cede to the United States in the name of the French Republic for ever and in full Sovereignty the said territory with all its rights and appurtenances as fully and in the Same manner as they have been acquired by the French Republic in virtue of the above mentioned Treaty concluded with his Catholic Majesty.

Art: II

In the cession made by the preceeding article are included the adjacent Islands belonging to Louisiana all public lots and Squares, vacant lands and all public buildings, fortifications, barracks and other edifices which are not private property.–The Archives, papers & documents relative to the domain and Sovereignty of Louisiana and its dependances will be left in the possession of the Commissaries of the United States, and copies will be afterwards given in due form to the Magistrates and Municipal officers of such of the said papers and documents as may be necessary to them.

Art: III

The inhabitants of the ceded territory shall be incorporated in the Union of the United States and admitted as soon as possible according to the principles of the federal Constitution to the enjoyment of all these rights, advantages and immunities of citizens of the United States, and in the mean time they shall be maintained and protected in the free enjoyment of their liberty, property and the Religion which they profess.

Art: IV

There Shall be Sent by the Government of France a Commissary to Louisiana to the end that he do every act necessary as well to receive from the Officers of his Catholic Majesty the Said country and its dependances in the name of the French Republic if it has not been already done as to transmit it in the name of the French Republic to the Commissary or agent of the United States.

Art: V

Immediately after the ratification of the present Treaty by the President of the United States and in case that of the first Consul’s shall have been previously obtained, the commissary of the French Republic shall remit all military posts of New Orleans and other parts of the ceded territory to the Commissary or Commissaries named by the President to take possession–the troops whether of France or Spain who may be there shall cease to occupy any military post from the time of taking possession and shall be embarked as soon as possible in the course of three months after the ratification of this treaty.

Art: VI

The United States promise to execute Such treaties and articles as may have been agreed between Spain and the tribes and nations of Indians until by mutual consent of the United States and the said tribes or nations other Suitable articles Shall have been agreed upon.

Art: VII

As it is reciprocally advantageous to the commerce of France and the United States to encourage the communication of both nations for a limited time in the country ceded by the present treaty until general arrangements relative to commerce of both nations may be agreed on; it has been agreed between the contracting parties that the French Ships coming directly from France or any of her colonies loaded only with the produce and manufactures of France or her Said Colonies; and the Ships of Spain coming directly from Spain or any of her colonies loaded only with the produce or manufactures of Spain or her Colonies shall be admitted during the Space of twelve years in the Port of New-Orleans and in all other legal ports-of-entry within the ceded territory in the Same manner as the Ships of the United States coming directly from France or Spain or any of their Colonies without being Subject to any other or greater duty on merchandize or other or greater tonnage than that paid by the citizens of the United States.

During that Space of time above mentioned no other nation Shall have a right to the Same privileges in the Ports of the ceded territory–the twelve years Shall commence three months after the exchange of ratifications if it Shall take place in France or three months after it Shall have been notified at Paris to the French Government if it Shall take place in the United States; It is however well understood that the object of the above article is to favour the manufactures, Commerce, freight and navigation of France and of Spain So far as relates to the importations that the French and Spanish Shall make into the Said Ports of the United States without in any Sort affecting the regulations that the United States may make concerning the exportation of the produce and merchandize of the United States, or any right they may have to make Such regulations.

Art: VIII

In future and for ever after the expiration of the twelve years, the Ships of France shall be treated upon the footing of the most favoured nations in the ports above mentioned.

Art: IX

The particular Convention Signed this day by the respective Ministers, having for its object to provide for the payment of debts due to the Citizens of the United States by the French Republic prior to the 30th Sept. 1800 (8th Vendémiaire an 9) is approved and to have its execution in the Same manner as if it had been inserted in this present treaty, and it Shall be ratified in the same form and in the Same time So that the one Shall not be ratified distinct from the other.

Another particular Convention Signed at the Same date as the present treaty relative to a definitive rule between the contracting parties is in the like manner approved and will be ratified in the Same form, and in the Same time and jointly.

Art: X

The present treaty Shall be ratified in good and due form and the ratifications Shall be exchanged in the Space of Six months after the date of the Signature by the Ministers Plenipotentiary or Sooner if possible.

In faith whereof the respective Plenipotentiaries have Signed these articles in the French and English languages; declaring nevertheless that the present Treaty was originally agreed to in the French language; and have thereunto affixed their Seals.

Done at Paris the tenth day of Floreal in the eleventh year of the French Republic; and the 30th of April 1803.

Robt R Livingston [seal]

Jas. Monroe [seal]

Barbé Marbois [seal]

 

 

Emerging Views Chapter Three

 

 

Histr2

Palms Hotel & Hospital owned by great-grands, later grandmother &sibs

I am sitting at a public library computer as I type this in a great deal of uncertainty about almost everything.  I am also without internet access at home. It urns out I have on other application for graduate study open and am looking into that possibility but am not overly optimistic given the realities of my recent life experience and such. But this chapter I think has something to say about living in the time one is in although it is not an inspirational text.

The link to the pdf is here. EmergingViewsLouisianaStorytheSONJPhotosandAcadianaFulcrumandCenter

 

Emerging Views:

Chapter Three 1947, Fulcrum and Center

 

Some might critique a few chapters of this text as being mere yearbooks in a text that already uses too many forms of expression in too many ways. That may be a bit unfair to the introduction and the conclusion but it is not so unfair to this chapter. The integrity of  a study like this as a work of history is related in no small way to checking carefully with what was going on in the geographical region and in the ethnic and other communities or groups being studied at a given time. In 1947 both the work on Louisiana Story  under Flaherty and the work of the Standard Oil of New Jersey  Photographic collection as administered directly by Stryker were in full swing.  The oil industry in the region was in full swing and the Cajun ethnic community was still very much alive.

 

Having asserted those general kinds of facts for which there is diverse and overwhelming evidence what else can be said?  In a chapter examining the year itself  what is there to learn?

 

In Louisiana politics at this time there were two of the most well defined factions within a single political party which have ever existed in the United States of America. The Democratic primary was tantamount to election for virtually every office  except the Presidency of the United States where votes cast in Louisiana did not determine the outcome. The Democrats may have referred to their factions as Longist and Anti-Long as they are almost always referred to in historical journalism and documentaries today. But frequently throughout the state and almost always in Acadiana they were known as the Machine and the Home Rule factions respectively. Machine had the advantage that the word was spelled the same and only the pronunciation changed for English and Cajun French. Home Rule was usually said in English even among Cajuns who preferred never to speak English — and such Francophone purists were rare in 1947.  The Home Rule  faction was in the Governor’s Mansion in 1947. Jimmy Davis and Dudley Leblanc were on different edges of that faction. In many way Jimmy Davis exemplified the British Louisiana cultural complex from which Cajuns felt alienated. Dudley was a major leader and living symbol of identity in the ethnic community. It was also true that Jimmy Davis’s very British American  song You are My Sunshine could be given a different interpretation by Cajun politicians. Sunshine was a symbol of Joseph Broussard and the Beausoleil Broussards for most Cajuns and was for a much smaller number a symbol of the last french King who was really admired by almost all of the Acadian elite even if they sought a kind of social independence from him at many levels. That was Louis XIV, the Sun King. A Governor who would sing about sunshine a great deal was easy to like in those days where the culture had felt most isolated in its history over recent decades.  Harry Truman was President and, while there was little reason to believe he thought much about the Cajuns one way or another, some among the Cajuns felt that it was interesting that Missouri which was the second state admitted to the Union from the Louisiana Purchase was the home of the current President. In a place where memories were long there was a sense of attachment to that area and there were still those who had very old business ties all up and down the Mississippi River. Compared for example to New York which had produced both FDR and nourished the documentarians community as such — Missouri seemed close to home.  All of this went with a feeling of cautiously seeking more of an American identity as the really postwar era developed.          

Every one of these ten years from 1943 to 1953 can be seen as having its own qualities derived from world events and the state of American society. Each year also has its own unique set of sources to a certain degree. In 1943 World War II is going on and in 1953 the Korean War is going on. The two wars are very different national experiences but  in 1947 there is more or less as much peace as a great and powerful country ever has. In this time of peace new opportunities came with a new national prosperity. !947 a company with was founded by a family with deep ties to the Attakapas country and a name that was commercial and political magic across Acadiana. Yet they were on the eastern periphery in Chalmette in St. Bernard Parish. The Broussard Brothers had one tugboat based in Chalmette, Louisiana. At the time of this writing they have a mile of developed waterfront on the Intracoastal Canal in Vermilion Parish’s Intracoastal City. The Broussard Brothers Company also have  a prominent building in the best neighborhood in Abbeville where such a building can be on its own and a fleet of vessels working the Gulf of Mexico. They would create almost all of that wealth in the oil industry and would remain deeply connected to the region and the community. However, there was no reason for anyone to know that would happen in 1947 and their experience is not all that typical of the connections between the ethnic community and the oil industry.

 

At the time of her arrival in Abbeville in 1946 Helen Van Dongen seemed to feel strongly a desire to make contact with and get to know and rightly understand the Cajuns as individuals and as a community. She seems favorably impressed with the ones working closely with the film. But in my judgement, there is a strong trend to isolation and a giving up on that hope of a connection which is pronounced over time. However, much of that has to do with the stress of work and intensity of her schedule and her sense of responsibility which kept her fully occupied. Much of it could be attributed to those work related factors but not all of this trend could be. She had grown accustomed to the society of the McIlhenny family, the Documentarians and the Standard Oil people. Interacting with the Cajun community was no longer what she sought out most eagerly. Her loneliness and desire for more pleasant interactions no longer drover her toward the Cajuns. She did not go to church, to Cajun dance halls, did not play golf at the all white but very ethnically mixed Abbeville Country club and did not much like the movies in town.  The only movie she describes in detail in the diary she kept was outside of the Parish at a drive in and she does observe the largely Cajun families with small children going out for the evening there — but not so favorably. There is never anything to indicate what might be called bigotry in Van Dongen’s attitude toward the Cajuns that we have any evidence to support. In fact she seems taken enough with Lionel Leblanc at first that one could argue there was a bit of chemistry between the two very different people. But one can easily enough imagine things getting out of hand in the opposite direction. She was single, a bit adventurous, had an eye and an ear for new things. One can imagine her going native and learning the two-step, riding on a float or drinking too much at a Courire de Mardi Gras. One can imagine her  complaining about some partner at a fais do do making unwanted advances  at the family oriented Cajun street dancing events. You could imagine her complaining about the cruelty of pigs screaming their lives out at a boucherie.  Those are not impossible things to picture but it is pretty clear that they did not happen. If some single event presents itself in the record somewhere it does not change the fact that her immersion was very partial indeed. She was surely under no great moral obligation to go native but she seems to have known her involvement was at some level unsatisfactory and by deep into 1947 she no longer worried about the deficiencies in that involvement.  

 

On January 13, 1947 Helen Van Dongen made her first entry of the calendar year in the diary she had been keeping in Abbeville during much of 1946.  the entry is brief and merely states, “Today I became an American Citizen.” In March she records moving the last of her editing process to her cutting room in New York.  But those few months of entries provide a rich insight into the inner workings of the film and its making. They also provide some very limited but valid and honest insights into the Cajuns and their region. But perhaps the most useful effect of the diary is the degree to which they illuminate not how those making the film viewed the Cajuns but to what an almost extraordinary extent they did not view them in any natural or unscripted context whatsoever.  

 

In a work of this kind it seems useful to take stock in the middle of the narrative of how everything was playing out at a point of importance in the action. The film was merely a proposal which Roy Stryker had prepared to make to Robert Flaherty in March of 1944. Since that time a first research trip and a simple screenplay called “The Christmas Tree” had been created,  talent gathered for the film, the locations scouted the numerous contracts made and largely honored without dispute.  The movie had gotten underway in an America still at war that knew victory was coming. But a great deal of fighting remained to be endured and conducted as effectively as possible. Some on the crew had worked on patriotic films, Van Dongen had worked on the Know Your Enemy, Japan  film.  Many Americans  and many Cajuns were fighting the war and many were not yet home  when the planning for the film had been done. But by the time the contracts were signed in 1946 to start filmmaking in earnest the project had assumed fully its essentially post-war character.

 

The film Louisiana Story was one of the most significant projects of her life and Helen Van Dongen’s day to day life is not very well known to us. outside of her somewhat controverted  book published under the title Filming Robert Flaherty’s Louisiana Story: The Helen Van Dongen Story.  It may be that such a lifestyle could have been glimpsed in interviews when this work was begun but that opportunity was missed. Van Dongen was an attractive woman with presence who had worked with Robert J. Flaherty on The Land.  Her serious relationship with Joris Ivens is mysterious but certainly grew out of a relationship where she worked as the film editor of an older man. It seems likely that some of the tensions which cropped up in her relationship with Frances Flaherty, Robert Flaherty’s wife grew out of the sexual tensions in the relationship. About a quarter of a century her senior Flaherty turned sixty-three in February of 1947. There is little to suggest he was either a prude or sexually exhausted. he may well have been exclusively involved with his wife and a very ethical employer to Helen Van Dongen. However there have always been rumors and innuendo. Partly the achievements of a woman in her profession were likely to be seen with some level of suspicion. Partly she was more or less and unmarried woman cohabiting with a married couple. But far more than that it has to do with Flaherty. In many ways he was an extraordinarily moral man but perhaps also the kind of man who could have lived in something bordering on polygamy in twentieth century America with very little sense of guilt. There is a real sense of extended family about his operation.  Her salary had been the highest of those contracted to work on the film,  She had been engaged in relating to all the different personalities and interest groups involved in the film. She had signed her contract when others had done so and that was in 1946. There was little in the contract that gave a great deal of information about the future of her work. However, it does enable one to make some interesting conjectures. In 1947 she was fully engaged in the work of the film. The challenges were truly significant as she had the artisanal challenge of laying in the soundtrack next to the film. Sync sound would owe some of its development later on in the industry’s life to the work of one of her colleagues on this project Richard Leacock. Leacock’s interest was inspired by the hard and demanding work that he saw Helen Van Dongen doing but that did not make theirs an easy relationship.  Leacock also seems to have learned some French from Van Dongen and her involvement with the Acadians around them. While LEacock seems to have enjoyed being part of the family of his wife and daughter and been reasonably devoted tot them someone  given to such suspicions cannot help but wondering if Leacock was a bit infatuated with Van Dongen. This could fit psychologically with a more open and pronounced fact regarding his thinking which is that  he almost worshipped  Flaherty in many ways. Leacock may well have envied Flaherty the way the Helen with whom he worked closely and who was paid more than  he was treated and related to the older man. It may be that he suspected sexual chemistry between her and the director whether it was there or not.  But all these tensions that may or may not have occurred for any number of reasons were not enough  to derail the steady progress of the film. One thinks too of all that could have been strained at times in the  lives and establishments of the local Cajun people working on and associated with the film. It seems likely that there must have been some missed cues along the way. But whatever tensions there were when the Mr. Hebert who worked for the crew turned his skills as a carpenter to the new industry of filmmaking they were to produce the needed  builds and  products without major incident.  Likewise whatever tensions there were between Evelyn Bienvenu and Lionel Leblanc playing a couple for the first time, between the real owners and residents of the trapper family cottage where the fictional La Tour  family lived between the McIlhenny family and their filming guests — regardless of what challenges this process may have presented the show did go on. Unlike a touring performance it went on being made not being presented.  

 

Lionel Leblanc was living a very different life in 1947 than he usually lived. Like most Cajuns he liked movies and the chance to make one was a source of joy and contentment. He was the McIlhenny family’s assistant manager on Avery Island and a very experienced trapper. He was used to working for a family who were certainly outside of the Cajun community. Nothing in the wilderness to which the oil industry was drawn was unfamiliar to him. He spoke French and English and he was very much aware his Cajun heritage. Representing his culture to the outside world and the outside world to his culture was a familiar task for him. The only unusual thing was making a movie but when that was considered in full and understood clearly it was an enormous change in his way of life. He was aware of the significance of what he was doing in shaping the way Cajuns, Cajun country and the Cajun culture would be perceived across the country for years to come.

 

Arnold Eagle was watching the progress of the film and was busy contributing in many ways to its progress he was receiving an incredible education that he would pass on to others in the profession of photography for many years to come but he was also keeping the connection between Roy Stryker’s larger operation and the activity going on in and around Flaherty’s base in Abbeville. There was a sense in which he as much as anyone else was the real presence of Standard Oil on the site of the filming.

 

The film was a multifaceted project and everyone was aware of the challenges involved in getting the images, editing the film, working the sound, preparing the music, managing the people and balancing the financial books. One could easily feel that the film was all that any of them would ever have to do. Movies had a way of blocking out every other concern. The “movie people” knew that experience was temporary and for them would be repeated in the next film. However,  the others could only reason that this was the case. Whatever perspective they were able to bring from their outside lives they could not help feeling the heady intensity of the filmmaking process. It was also a very special environment centered around the filming headquarters in Abbeville, Louisiana. Abbeville was just big enough to offer the benefits of a town to the crew that were often working in the deep countryside.Van Dongen admits she was unused to cooking for groups of people and when a few times in her time she found she had to cook she seems to claim that almost no foodstuffs were available in Abbeville. That seems on its face to be the most absurd and perhaps the only absurd statement in her Abbeville diary. Even in those days people came to Abbeville to eat and the restaurants acquire almost all the food from sources that other residents had access to. As i myself am  one of the most experienced travelers that I have ever met I know that when things become unpleasant there is a tendency to blame the locale for problems really based on one’s own lack of familiarity with the region.  The food  comments are a sign of this growing alienation in Van Dongen. That alienation becomes a kind of lense of perception through which everything else can be seen. One’s sense of discomfort colors every observation of the region.   

 

Here too there was a blend of forces at work in determining what could and would be the way that Acadiana was perceived. HADACOL was making its way into the national consciousness. It was a powerful economic formula for success and  and offered a great deal of appeal to an era and style of life in rural America that was passing into the mists of history. It offered access to a little alcohol in places where alcohol could not be sold except as medicine. This also had the advantage over whiskey sold in just the same circumstances that it actually was formulated as a healing potion. HADACOL was certainly not mostly an excuse for a means to get drunk. Its taste made it hard to drink a lot of it compared to almost any other way to access medicine. In fact a great deal has been done to show that moderate alcohol consumption has many health benefits and those were among the primary benefits most people got from HADACOL. One was less likely to abuse it than tastier and cheaper beverages and so it was a benefit to the consumer who would receive the benefits of a mild intoxicant judiciously administered. That kind of benefit shown to have an effect on hypertension and heart disease comes closer  to justifying the whole enterprise than was ever admitted by HADACOL’s critics at the time of its mass distribution. Besides the alcohol however the elixir offered the consumer some nutritional supplements  which in fact both mitigate the risks of alcohol and provided benefits to large sections of the population likely to have deficiencies in b vitamins, niacin and iron. Beyond the components of the formula HADACOL increasingly offered intangibles that centered around a sense of belonging and a sense of community. It offered a sense of the glitter and fun of something special for those whose lives were lived in a great deal of hard work, tedium and plain living. None of this  solves the basic problem of any perceived cure all. No matter what problems people had with their health someone encouraged them to take HADACOL. How often that someone was Dudley Leblanc is unclear. But he surely knew that it had a cure all reputation. Most things are not as effectively treated by any cure all as they are by the best specific therapies  that existed in the late 1940s which existed and were expertly geared to each individual malady. If people who could have gotten better therapy only took HADACOL instead then HADACOL did some harm. It is not entirely clear how much that happened. But it probably did happen to some people.

 

Foster in Moral Reconstruction has shown how the South’s cultural history in an earlier period was of transformation into the Bible Belt, Clearly Evangelical Protestant Christianity had never typified the Cajun experience. But Cajuns had been part of the  fabric of Southern experience and were not unknown to any large group in the South. While the  distribution of HADACOL at its peak went far beyond the South, Dixie remained a major region and was an early region for its distribution. It could be argued that many in the evangelical Protestant South were conditioned to seek out things like this elixir specifically from Cajuns and had that tradition in their own communities and families. More convincingly it could be argued that they were accustomed to seek out  those products and services on the edge of their laws and folkways from French Louisiana whether Metis, Creole of  Color, Cajun or white creole communities were providing them. Whatever the reason HADACOL was getting more and more attention each year and that attention it received nationally did not have a large effect on the SONJ projects. There is very little about TABASCO hot sauce or any other major commercial operation outside of the oil industry. What did get reported and recorded were mostly small and traditional operations.     

 

Hadacol was a mixture of vitamins B1 and B2, iron, niacin, calcium, phosphorous, honey, and diluted hydrochloric acid in 12% alcohol. It is unclear exactly what the fullest and most definite explanation for the Food and Drug Administration’s problems with HADACOL.  But there are plenty of reasons for there to have been problems. In many ways HADACOL was for the Cajuns of this era very much what a more obviously political  or paramilitary uprising would be for many other ethnic groups around the postwar world.  

 

America had a long time concern about alcohol and for many dry counties around the rural south HADACOL had  become a means of acquiring alcohol at the local drug store. The alcohol content wasn’t all that high, but the hydrochloric acid meant it was delivered through the body faster than it would be otherwise. However it was certainly a medicine that delivered  a variety supplements and medicinal components that at least arguably had value in treating the sick. Dudley Leblanc used both the money and the fame generated in the production of HADACOL  as part of an overall program which from a Cajun point of view was not so very different than what more violent men have done to lead the forces of a beleaguered  people in rebellion against the changes in the larger world that they found most threatening. Cajun beauty pageants, statues of St. therese of Lisieux in front of Catholic Churches in Acadiana, trips to old Acadie in Nova Scotia and many other manifestations of ethnic identity were expensive and Dudley Leblanc would gain renown in the Cajun community for doing all of those things before his life was over. In those days of the year 1947 the Cajun  community could see where State Senator Leblanc was headed and where he had begun. His life was a continuity and a complex one at that. HADACOL would not peak until after Flaherty film had been released it had not yet become all that it would be but it was the biggest single voice coming from the community at the time. The question of what fraud is and what it is not has a cultural dimension. From its start there was in HADACOL and element of magic, entertainment and community that were as important as the element of medicine. But the Cajun traiteur is for all practical purpose a Christian witch or wizard and although that may be somewhat contradictory or even religiously anathema. Dudley Leblanc was more tied to that rich tradition than he was willing to declare clearly, The magical healer may have its problems and weaknesses but it was not an occupation he invented out of whole cloth. American History knows the HADACOL of the very early fifties as the last great American medicine show. the ethnic community to which he belonged knew him as something tied to something even older.

 

The record of his life has a great deal in it and he is far more than the record shows. It is important to remember that Forest Davis Huey Long’s contemporary biographer called him the most dangerous man in America. Dudley Leblanc had been Long’s most effective and serious political opponent back in  the 1930s. The machine guns, armored cars, concealed carry squads, political operatives and blackmail masters were easy for many others to forget and Long had his good qualities and his achievements. However, the Cajuns generally did not forget. They trusted Dudley Leblanc to broker the deal between the things they liked about the Share Our Wealth Plan and other aspects of Longism and also protect competing values and sensibilities.

 

So Dudley Leblanc needed a focus for his accumulation of wealth and his outreach to people outside of his Cajun community. HADACOL was the vehicle that people could tolerate and sometimes endorse. The mixture really made a lot of people feel better because they were in distress and when they took it the elixir distributed alcohol quickly to the pain centers of the brain and nervous system, And although it wasn’t a cure for the many diseases it was advertised for it is worth considering those claims with some definite care. there are a few sides at least to the story. Alcohol can ease high blood pressure in moderate doses,  honey can soothe some manifestations of ulcers, iron can help to effectively treat  anemia, it seems that with a vigorous placebo effect added in there were surely many people who did in fact experience some curative effects. But even if that were true to a greater extent than we can prove HADACOL was advertised to address many other health concerns.

 

HADACOL was  booming in 1947 and people could see it would be everywhere, on radio, on billboards, in newspapers and magazines, and at the local pharmacy. There was generally a great deal of fear of its use as an alcoholic beverage and a great deal was made of the relatively tiny percentage of the concoction that was sold in liquor stores and bars. In an appeal to justice it was said by those seeking to disgrace Leblanc’s empire that people paid $3.50 for a 24-ounce bottle much as an addict will buy a substance upon which they have developed a dependency — spending their last dollars when  they had no food in the pantry. HADACOL in Acadiana funded Dudley Leblanc’s French language radio show as it largest and sometimes exclusive sponsor. It was clear to many investigating the HADACOL that was starting to The hope for a better tomorrow trumped common sense in those days, just as it does now. LeBlanc pushed Hadacol on his radio show, which he broadcast in French. He published a medical pamphlet extolling the wonder of his elixir. He gave away swag featuring the name Hadacol on it, including water pistols and a comic book for children with stories drawn from glowing testimonies. LeBlanc wrote a jingle called “The Hadacol Boogie” which was recorded by several artists including Jerry Lee Lewis. He gave out Hadacol tokens, good for 25 cents off a bottle. LeBlanc had to expand his factory, then build more factories. Hadacol use spread from Louisiana across the nation. Millions of bottles were sold every year.

 

The Food and Drug Administration objected, not to Hadacol itself, but to LeBlanc’s use of suggestion and the placebo effect as tools within the caring mutual community. It is not impossible to believe that in the HADACOL community Leblanc really believed that people might have access to others  who could better assist their needs for a cure for cancer, epilepsy, asthma, and other diseases when HADACOL itself clearly did not cure them. WHen claims were questioned   he made it clear that he wanted to avoid trouble and direct confrontation with the Federal government. When pressed he always pulled those claims singled out for challenge as false, but the damage was being done with each wave of attacks by all sorts of groups sponsored by the FDA and others. Once an attack had been addressed in those days there were still forward bounding growth. It had not yet gotten to the point that the critics imposed an unbearable obstacle to him in doing business in those days.

 

Among the significant activities going on at that time was that organizing activity undertaken by Robert Leblanc within the Louisiana National Guard.He organized company H in Abbeville to continue the military service when he had begun when he served in the United States Army and really with the Office of Strategic Services in Europe and then transferred to the China-Burma theater in World War Two.  This was the origin of the Second Battalion of the 256th Infantry Brigade which exists and is headquartered in Abbeville at the time of this writing.. This battalion has very distinctive Cajun and even Prairie Cajun identity. Of course there are no ethnically exclusive battalions. However, the Cajuns despite service in all sorts of units have a strong affinity for the militia and its most organized form in the United States — the National Guard. Fred Leblanc was Attorney General and Edward Hebert was a Congressman who in the future would become Louisiana’s longest serving Congressional Representative. Neither of these two politicians were  particularly publicly known as deeply attached to the Acadiana region of the state. Charlene Richard who is venerated as a saint but has not been  formally canonized was born that year. Bobby Charles Guidry who would become a famous musician in his late teens was a young boy in Abbeville and Whitney Adam Leblanc whom we will revisit in the last chapter was a young adolescent in neighboring Iberia Parish going to school and helping out on his family’s farm. There was no great scandal in the fact that the Cajun experience was far broader than was captured by the SONJ projects but it is nonetheless a fact that work they did would represent a great deal of the ethnic community’s experience to a good portion of the American population at one time or another.  Lionel Leblanc was a man Helen Van Dongen described as good looking, competent man who made an excellent living and spoke precise excellent English.  She at least was concerned about the possibility that he was being exploited and asked to play a kind of naive and backward trapper who not only was not typical but perhaps did not exist at all.  

 

The SONJ project would capture many aspects of Cajun life and culture in these years. Much of their Cajun documentary work would be of the Bayou Cajun environment in the East of the State that went back to Olivier Theriot and La Fourche des Chetimaches would not be of the  but besides Louisiana Story they had other work being done in the Prairie Cajun region of the Terre des Attakapas that had Joseph Broussard dit Beausoleil as its direct founding Patriarch. These photographers traveled through Vermilion Parish and visited Flaherty and others more often than not when they were doing work on the Cajuns and it is hard to determine all the lines of  communication that existed between these people. But Dudley Leblanc had many connections across Vermilion Parish and he was well aware of most things related to Cajun identity that were happening he probably had at least a part of his mind’s  eye focussed on this  Standard Oil effort to document the current Cajun experience. He left behind a great many personal papers, diaries and logs which have not been properly archived and even a relative harassing the family over the years has not produced an exhaustive inventory. Some have done much more than I have in looking through and copying his papers but I am fairly sure significant papers have been lost. Nonetheless, the Standard Oil documentary projects were not his priority — that is certain. My grandfather Frank Summers who knew Dudley Leblanc and considered him a closer relative by circumstance than he would be on a genealogic chart seemed to believe that he and Robert Flaherty met briefly once or perhaps twice and in that time did talk about their common interests. But again the absence speaks louder than the presence. Dudley Leblanc could have provided introductions, speedboats, parties, old photographs and much more but those things did not happen. However, it is a disservice to two extraordinary men to believe that they did not have an influence on one another. These were both extraordinary conversationalists and if in fact they spoke for a few minutes then it is likely both took away some real influence and information from the other. Flaherty did not lack for a base of support, funding and prestige with which to make an impression on the local people.

 

Standard Oil was very committed to this great project. The real value of their commitment is not so easy to calculate. Hundred of thousands of dollars were disbursed directly to the people working on  and running these projects directly. But the commitment was larger than that. SONJ subsidiaries also provided access and support in kind and any devotion of oil industry assets and time on any kind of large scale has a very high measurable dollar value. but those accounts were not presented to the people in the projects at all in many cases. Doubtless the accounts were better kept somewhere than I have found them.  But clearly in 2016 dollars this total outlay runs into the millions of dollars.  

 

1947 in postwar Acadiana was a region very much typified by uncertainty and also a certainty that change would occur and was occurring. The Standard Oil projects captured priceless images of this region at that moment. They brought out real truth and real beauty and pointed out real problems. They showed the viewers that Standard Oil could bring prosperity to a backward region and that was not entirely untrue. They made it possible to criticize what they did not do by doing something that certainly had real value in preserving information and images.

 

The reader can form an impression of his or her own of what exactly these projects amount to in the broad range of sources with which to view twentieth century America. Whatever the projects may be determined to be they were in full operation in 1947.   

 

An Acadian Moment

The following timeline is from memory and tapped out quickly. It leaves out far more than it includes.  Nonetheless, in this blog I often argue that we may have reached an Acadian moment in American history. Therefore, I want to give some idea of where that moment would fall in our history.

1600ish Project of founding Acadie begins in Western France.

1755 Le Grand Derangement peaks with exiles from Grand Pre area as the Brits drive out the “French Neutrals”  and burn, confiscate  or destroy almost all their possessions.

1785 Joseph Broussard Dit Beausoleil  and his company receive near state statue from the Spanish Empire on the Atakapas Prairie. Connections well established with Olivier Theriot’s Acadian Colony in East Louisiana.

 Very Early 1800s Acadians deal with numerous transitions including the Louisiana Purchase, some fight at Battle of New Orleans, Louisiana becomes a State of the United States.

1850s Tensions build toward the Civil War. Acadian Governor Mouton prominent in crisis. Comite de Vigilance des Atakapas founded.  

1860s French Prince Camille de Polignac fights in Acadiana as a Confederate general. Acadian Confederate General Mouton dies  of wounds received at Shiloh. The COnfederacy loses the war.

1881 5000 or so Acadians gather for the first National Convention intended to represent the whole people publicly since the exile. August 15, Feast of the Assumption is named national Acadian holiday.

1938 the Pope recognizes Feast of Assumption as Acadian holiday.

1940s through 1950s Dudley Leblanc leads a high  profile movement of activism, study and international committees.

1960s Acadian music, festivals and crafts better organized in Louisiana. Sometimes call the start of an Acadian Renaissance.

1980s Congres  Mondial makes strong steps to restore national union of family associations.

2003 Her Britannic Majesty Elizabeth Queen of Scotland and of England Second of the Name issues a proclamation regarding the Acadians and Le Grand Derangement.

To see a bit more go to my glossary:     https://franksummers3ba.wordpress.com/acadian-forum-archive/glossary-of-terms-casually-defined/

South Louisiana Blues

In my last post I blogged on the anniversaries of the 9-11 attacks and the Battle of Antietam/Sharpsburg. But before we even get to those we have the anniversary of  Hurricane Katrina which I remember both as all Americans do and as a Louisiana native does. For me it falls into an arrangement with the memory of our devastating follow-up hurricane here in the western part of coastal Louisiana — Rita.

We face the uncertainty of this BP Oil Leak and we still deal with all the storm damage which is as bad as it is in part because of damage to the coast caused by other bad behavior from oil companies. Thank God we are struggling with all this because it proves we are not dead. There is a lot of sadness in the story of so much of the world. I think sadness is actually an important part of humanity and human life. However, we are really having our share here. We have known numerous very rough storms, the 9-11 attacks and the levee collapse that made Katrina what it became. Now we are dealing with the largest ecological disaster in our country’s history.

It is not that things cannot get worse. They can get a lot worse and very possible they will get a lot worse. There are some improvements in New Orleans since Katrina. Before Katrina seventy percent of New Orleans Schools were failing  now sixty percent are passing and only forty percent are failing. There is the Musicians Village put together by Harry Connick Jr. and the Marsalis family as well as their backers. There is the movement back of some celebrities and environmental lobbies who are investing talent and interest in rebuilding the city and the region.

I was partly inspired to write this post by shows I have seen on LPB lately as well as by Anderson Cooper’s show emphasizing the anniversary of Katrina. However, we face as many reminders of all of these crises as anyone would like pay attention to today and any day here on the coast..  

The story goes on but there is a lot of sadness in the story. Maybe the time to write some more music about all of this is very much here.

William Charles Summers Dies: An Acrostic Verse

Will, I am stringing rhyming lines together to spell your name on the left side.

I feel a loss I just cannot pretend is gone and yet I have not shed a tear yet.

Let’s just say I will miss the crawfish boils and the days I matched your stride.

Loping across that farm and disagreeing about things most folks would not “get”.

I am thinking of that old guitar, the harmonica and the banjo too.

All the way back to a military school and Sousaphone you played with pride.

Music stitched through lands and colors was part of much you used to do.

***

Could it be I miss the Bible sharing that we had? I an 8-year-old lapsed Catholic,

Hearing your Jehovah’s Witness testimony to God as real for you,

And next I set Catholic tones to your hippie search in topics  exegetic.

Rather later, you and I and John read texts in a farmhouse too.

Latest of all, talking about your Roman Catholic ending road.

Every phase was marked by that Bible’s mental load.

Some same Bible problems we both too well knew.

***

So, I am making you a pious memory now Will.

Until, I remember all you knew about Marijuana,

Meaningful quarrels over laws that outlive you still.

Much agreed on: prostitution and pot in Louisiana

Each favoring regulation but angry words air did fill.

Remember wild child you surfed when we went to Malibu?

Summer before you ran to a Shenandoah hill. 

***

Do I mention Taurus and Cajun Blue in a line for you?

It seems seeing sailing sets  tests my simple poem can’t do.

Each day from now on I will know what we did not get.

Suddenly, the passing is clearer in a kind of regret.

The BP Oil Leak & “Culkathadreil”

Yesterday I finished a draft of a novel on a Facebook account I call “Summers Progress” it is a draft but it is not unreadable or incoherent as it is and there is not likely to be a more complete draft later on. I have written about a dozen novels like this and another half a dozen plays that I have not submitted to anyone for publication. I have submitted a couple of short stories and had them rejected but not recently. However I have had my writing published in real paper publications of the type that pay people and undergo large distribution costs. I have also had my writing published in newsletters, paid compendiums in book form for private release and in various vehicles of my own like this blog. The novel I completed yesterday is called “Culkathadreil” .  I watch television. I buy movie tickets for myself and others. I buy several newspapers and    I surf the web like a madman. In addition I listen to the radio and watch music videos from varied purveyors. The point of my next paragraph is not that I do not like anything in the world and that it is all crap — that is not my opinion.

Nonetheless, it is true that despite Louis Armstrong, Sydney Bechet, Kate Chopin, Ernest Gaines, Stephen Ambrose, Lyle Saxon, Lauren Post, Carl Brasseaux, Zachary Richard, Fats Domino, Michael Doucet and Beausoleil, the Degas paintings of the Cotton Exchange, James Lee Burke, the politics of James Carville, the monuments to Jean Lafitte, the Jazz Festival, the Cajun Music Festival, the Festival Acadiens and the guest list of the last Weeks to rule the Shadows on the Teche –despite all those things  and the Williams with cousin Tennessee and their endowment of the Royal New Orleans Collection I live in a State which is a land of sunken things and deep shadows. I do not publish my novels for many reasons and you and I might not agree on all of them. However, the oil leak is a great symbol of the world I and so many from my state live in. The reckless madness and damaging folly of big oil, big government and even big environmentalism interfere with plans people here had and hopes they would have liked to see made real. I have no doubt that most of these plans are better and could be part of something much better than the status quo.

So after each novel is finished I take a day to feel sorry for myself. I do not usually share those thoughts. However as I sink into the shadows this time I take you with me because it is crowded with sunken people and dreams around here. Despite the New Orleans Saints winning a world championship with many local boys turned men on board and with a neighbor from Texas at the lead on the field, and despite Brittney Spears and Tim McGraw being as big in popular culture as one can really measure people to be — this is a place where much more is washed a way by storms and erosions of the natural and cultural kind thean can be easily measured either. Miles of land are damaged and vulnerable because of bad federal planning and coroporate greed American Indian Tribes have to watch till another kind of Indian from around the world is governor while they struggle for culture, natire and a future in many ways. America if it is anything (and sometimes it is not anything) as an idea has become an “English only” democracy. When it was young here it was sincerely hoped by many here and in other states that it would never be either of those two things. Many thought such a pair of calamities was prohibited by the Constitution.     We have a Preservation Hall but a hundred institutions that created jazz have not been preserved. So things are undertaken but less than is lost so as I sink into the shadows this time I take you with me because it is crowded with sunken people and dreams around here. If you look carefully and think hard about this oil leak you can see why.

Bp did not cause all these evils but this crisis is deeply tied to many other trials.  Britain has the toughest real anti-libel laws in the  world (as opposed to laws never enforceable or murderous thugs or honorable duels combatting libel) and if I ever did make some bucks maybe BP could find a way to sue me for libel for some of the things written here. But the truth is that I and others here are swimming in a see of subtle libels that are harder to prove and still suck the air out of life here. BP is among the libellers and has been for a very long time along with most people their people know. That is no fiction.